{"id":2433,"date":"2020-07-22T04:47:08","date_gmt":"2020-07-22T04:47:08","guid":{"rendered":"https:\/\/blogs.qsc.com\/live-sound\/?p=2433"},"modified":"2020-10-29T10:53:16","modified_gmt":"2020-10-29T10:53:16","slug":"why-and-how-to-correctly-use-floor-monitor-presets","status":"publish","type":"post","link":"https:\/\/blogs.qsc.com\/live-sound\/de\/floor-monitor-presets_wie-ihr-diese-richtig-einsetzt\/","title":{"rendered":"'Floor Monitor'-Presets: Wie Ihr diese richtig einsetzt"},"content":{"rendered":"<div class=\"trp_language_switcher_shortcode\">\n<div class=\"trp-language-switcher trp-language-switcher-container\" data-no-translation>\n    <div class=\"trp-ls-shortcode-current-language\">\n        <a href=\"#\" class=\"trp-ls-shortcode-disabled-language trp-ls-disabled-language\" title=\"Deutsch\" onclick=\"event.preventDefault()\">\n\t\t\t Deutsch\t\t<\/a>\n    <\/div>\n    <div class=\"trp-ls-shortcode-language\">\n                <a href=\"#\" class=\"trp-ls-shortcode-disabled-language trp-ls-disabled-language\"  title=\"Deutsch\" onclick=\"event.preventDefault()\">\n\t\t\t Deutsch\t\t<\/a>\n                    <a href=\"https:\/\/blogs.qsc.com\/live-sound\/de\/wp-json\/wp\/v2\/posts\/2433\" title=\"English\">\n             English        <\/a>\n\n            <a href=\"https:\/\/blogs.qsc.com\/live-sound\/de\/wp-json\/wp\/v2\/posts\/2433\" title=\"Espa\u00f1ol de M\u00e9xico\">\n             Espa\u00f1ol de M\u00e9xico        <\/a>\n\n            <a href=\"https:\/\/blogs.qsc.com\/live-sound\/de\/wp-json\/wp\/v2\/posts\/2433\" title=\"Fran\u00e7ais\">\n             Fran\u00e7ais        <\/a>\n\n        <\/div>\n    <script type=\"application\/javascript\">\n        \/\/ need to have the same with set from JS on both divs. Otherwise it can push stuff around in HTML\n        var trp_ls_shortcodes = document.querySelectorAll('.trp_language_switcher_shortcode .trp-language-switcher');\n        if ( trp_ls_shortcodes.length > 0) {\n            \/\/ get the last language switcher added\n            var trp_el = trp_ls_shortcodes[trp_ls_shortcodes.length - 1];\n\n            var trp_shortcode_language_item = trp_el.querySelector( '.trp-ls-shortcode-language' )\n            \/\/ set width\n            var trp_ls_shortcode_width                                               = trp_shortcode_language_item.offsetWidth + 16;\n            trp_shortcode_language_item.style.width                                  = trp_ls_shortcode_width + 'px';\n            trp_el.querySelector( '.trp-ls-shortcode-current-language' ).style.width = trp_ls_shortcode_width + 'px';\n\n            \/\/ We're putting this on display: none after we have its width.\n            trp_shortcode_language_item.style.display = 'none';\n        }\n    <\/script>\n<\/div>\n<\/div>\n\n\n\n<h3 class=\"wp-block-heading\"><strong>Schallabstrahlung vom Boden<\/strong><\/h3>\n\n\n\n<p>So, bevor es losgeht, sollten wir uns noch einmal die physikalischen Grundlagen der Schallausbreitung ins Ged\u00e4chtnis rufen. Zun\u00e4chst sollten wir einmal kl\u00e4ren, was der Begriff \u201eAbstrahlbereich\u201c genau bedeutet: Es ist das Raumvolumen, in das ein Lautsprecher Schall abstrahlt. Bei tiefen Frequenzen (meist unter 200 Hz) ist die Abstrahlung nicht omnidirektional und der Schallpegel steigt an, weil W\u00e4nde oder der Boden den Abstrahlbereich eingrenzen. Ein Lautsprecher, der im freien Raum unter 200 Hz einen linearen Frequenzgang aufweist, erzeugt daher ein Signal mit bis zu 6 dB Bassanhebung, wenn er auf dem Boden platziert wird!<\/p>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter size-large\"><img decoding=\"async\" width=\"927\" height=\"665\" src=\"https:\/\/blogs.qsc.com\/app\/uploads\/sites\/3\/2020\/07\/1.-QSC-Blog_Fig-1_Radiation-space-for-Floor-Monitor-1.png\" alt=\"\" class=\"wp-image-2486\" srcset=\"https:\/\/blogs.qsc.com\/app\/uploads\/sites\/3\/2020\/07\/1.-QSC-Blog_Fig-1_Radiation-space-for-Floor-Monitor-1.png 927w, https:\/\/blogs.qsc.com\/app\/uploads\/sites\/3\/2020\/07\/1.-QSC-Blog_Fig-1_Radiation-space-for-Floor-Monitor-1-300x215.png 300w, https:\/\/blogs.qsc.com\/app\/uploads\/sites\/3\/2020\/07\/1.-QSC-Blog_Fig-1_Radiation-space-for-Floor-Monitor-1-768x551.png 768w, https:\/\/blogs.qsc.com\/app\/uploads\/sites\/3\/2020\/07\/1.-QSC-Blog_Fig-1_Radiation-space-for-Floor-Monitor-1-250x179.png 250w, https:\/\/blogs.qsc.com\/app\/uploads\/sites\/3\/2020\/07\/1.-QSC-Blog_Fig-1_Radiation-space-for-Floor-Monitor-1-550x395.png 550w, https:\/\/blogs.qsc.com\/app\/uploads\/sites\/3\/2020\/07\/1.-QSC-Blog_Fig-1_Radiation-space-for-Floor-Monitor-1-800x574.png 800w, https:\/\/blogs.qsc.com\/app\/uploads\/sites\/3\/2020\/07\/1.-QSC-Blog_Fig-1_Radiation-space-for-Floor-Monitor-1-251x180.png 251w, https:\/\/blogs.qsc.com\/app\/uploads\/sites\/3\/2020\/07\/1.-QSC-Blog_Fig-1_Radiation-space-for-Floor-Monitor-1-418x300.png 418w, https:\/\/blogs.qsc.com\/app\/uploads\/sites\/3\/2020\/07\/1.-QSC-Blog_Fig-1_Radiation-space-for-Floor-Monitor-1-697x500.png 697w, https:\/\/blogs.qsc.com\/app\/uploads\/sites\/3\/2020\/07\/1.-QSC-Blog_Fig-1_Radiation-space-for-Floor-Monitor-1-210x150.png 210w\" sizes=\"(max-width: 927px) 100vw, 927px\" \/><figcaption>Abbildung 1 \u2013 Der Abstrahlbereich ist das Raumvolumen, in das der Lautsprecher Schall abstrahlt. Eine \u00c4nderung des Abstrahlbereichs beeinflusst die Lautst\u00e4rke der Frequenzen unter 200 Hz.<\/figcaption><\/figure><\/div>\n\n\n\n<h3 class=\"wp-block-heading\"><strong>Anpassung Eurer Bodenmonitore<\/strong><\/h3>\n\n\n\n<p>Was k\u00f6nnt Ihr nun dagegen tun, wenn Ihr Lautsprecher als Bodenmonitore verwendet? Die QSC Aktivlautsprecher der K.2 und der CP Serie verf\u00fcgen \u00fcber einige Presets f\u00fcr typische Anwendungsbereiche, darunter auch ein Boden- bzw. B\u00fchnenmonitor-Preset. Solche Presets erm\u00f6glichen die exakte Einstellung des Bass-Ausgangspegels f\u00fcr einen klaren, definierten und druckvollen Bass. Denkt daran, dass hohe Pegel tiefer Frequenzen bestimmte Bassnoten betonen, Resonanzen erzeugen und der Audio-Mix dadurch matschig und ohne pr\u00e4zise Dynamik klingen kann.<\/p>\n\n\n\n<p class=\"translation-block\">Let\u2019s take a closer look now at both loudspeaker series. <a href=\"https:\/\/www.qsc.com\/es\/sonido-en-vivo\/productos\/altavoces\/altavoces-amplificados\/serie-cp\/cp8\/\" target=\"_self\">CP8<\/a> and <a href=\"https:\/\/www.qsc.com\/es\/sonido-en-vivo\/productos\/altavoces\/altavoces-amplificados\/serie-cp\/cp12\/\" target=\"_self\">CP12<\/a> <strong>Floor Monitor <\/strong>Preset provides, on both inputs A and B, a voicing for a full, balanced sound but reducing, at the same time, as much low frequency as possible to provide added stability when live microphones are nearby.<\/p>\n\n\n\n<p><\/p>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter size-large\"><img decoding=\"async\" width=\"736\" height=\"218\" src=\"https:\/\/blogs.qsc.com\/app\/uploads\/sites\/3\/2020\/07\/2.-QSC-Blog-Fig-2_CP12_Rearview.jpg\" alt=\"\" class=\"wp-image-2441\" srcset=\"https:\/\/blogs.qsc.com\/app\/uploads\/sites\/3\/2020\/07\/2.-QSC-Blog-Fig-2_CP12_Rearview.jpg 736w, https:\/\/blogs.qsc.com\/app\/uploads\/sites\/3\/2020\/07\/2.-QSC-Blog-Fig-2_CP12_Rearview-300x89.jpg 300w, https:\/\/blogs.qsc.com\/app\/uploads\/sites\/3\/2020\/07\/2.-QSC-Blog-Fig-2_CP12_Rearview-250x74.jpg 250w, https:\/\/blogs.qsc.com\/app\/uploads\/sites\/3\/2020\/07\/2.-QSC-Blog-Fig-2_CP12_Rearview-550x163.jpg 550w, https:\/\/blogs.qsc.com\/app\/uploads\/sites\/3\/2020\/07\/2.-QSC-Blog-Fig-2_CP12_Rearview-608x180.jpg 608w\" sizes=\"(max-width: 736px) 100vw, 736px\" \/><figcaption>Abbildung 2 \u2013 Die kompakten Aktivlautsprecher der CP Serie bieten sechs DSP-Presets, darunter ein \u201eFloor Monitor\u201c-Preset.<\/figcaption><\/figure><\/div>\n\n\n\n<p class=\"translation-block\">Die drei Modelle der <a href=\"https:\/\/www.qsc.com\/de\/live-sound\/produkte\/lautsprecher\/aktive-lautsprecher\/qsc-k2-serietm\/\/\" target=\"_blank\" rel=\"noreferrer noopener\">QSC K.2 Serie<\/a> mit ihren elf Presets haben wiederum zwei verschiedene \u201eStage Monitor\u201c-Presets auf Lager.<\/p>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter size-large\"><img decoding=\"async\" width=\"1024\" height=\"325\" src=\"https:\/\/blogs.qsc.com\/app\/uploads\/sites\/3\/2020\/07\/3.-QSC-Blog_Fig-3_K.2-Series-Presets-1024x325.png\" alt=\"\" class=\"wp-image-2436\" srcset=\"https:\/\/blogs.qsc.com\/app\/uploads\/sites\/3\/2020\/07\/3.-QSC-Blog_Fig-3_K.2-Series-Presets-1024x325.png 1024w, https:\/\/blogs.qsc.com\/app\/uploads\/sites\/3\/2020\/07\/3.-QSC-Blog_Fig-3_K.2-Series-Presets-300x95.png 300w, https:\/\/blogs.qsc.com\/app\/uploads\/sites\/3\/2020\/07\/3.-QSC-Blog_Fig-3_K.2-Series-Presets-768x244.png 768w, https:\/\/blogs.qsc.com\/app\/uploads\/sites\/3\/2020\/07\/3.-QSC-Blog_Fig-3_K.2-Series-Presets-250x79.png 250w, https:\/\/blogs.qsc.com\/app\/uploads\/sites\/3\/2020\/07\/3.-QSC-Blog_Fig-3_K.2-Series-Presets-550x175.png 550w, https:\/\/blogs.qsc.com\/app\/uploads\/sites\/3\/2020\/07\/3.-QSC-Blog_Fig-3_K.2-Series-Presets-800x254.png 800w, https:\/\/blogs.qsc.com\/app\/uploads\/sites\/3\/2020\/07\/3.-QSC-Blog_Fig-3_K.2-Series-Presets-567x180.png 567w, https:\/\/blogs.qsc.com\/app\/uploads\/sites\/3\/2020\/07\/3.-QSC-Blog_Fig-3_K.2-Series-Presets-945x300.png 945w, https:\/\/blogs.qsc.com\/app\/uploads\/sites\/3\/2020\/07\/3.-QSC-Blog_Fig-3_K.2-Series-Presets.png 1481w\" sizes=\"(max-width: 1024px) 100vw, 1024px\" \/><figcaption>Abbildung 3 \u2013 Die Aktivlautsprecher der QSC K.2 Serie bieten elf DSP-Presets, darunter zwei verschiedene \u201eStage Monitor\u201c-Presets.<\/figcaption><\/figure><\/div>\n\n\n\n<p class=\"translation-block\">Das Preset \u201eStage Monitor 1\u201c sorgt generell f\u00fcr weniger Bass auf der B\u00fchne, eignet sich daf\u00fcr aber besonders gut f\u00fcr Vocals, akustische Instrumente, Hand-Percussion und \u00e4hnliches, da es eine effiziente Bassabsenkung bietet.<\/p>\n\n\n\n<p class=\"translation-block\">Hingegen liefert das Preset \u201eStage Monitor 2\u201c etwas weniger Bassabsenkung und ist daher besser zur pr\u00e4zisen Reproduktion von tiefen Frequenzen geeignet, etwa bei Keyboards, Drums, Bassgitarren und anderen Instrumenten, die ein breites tieffrequentes Klangspektrum erzeugen.<\/p>\n\n\n\n<p>Also: Denkt an unsere verschiedenen \u201eFloor Monitor\u201c-Presets, wenn Ihr das n\u00e4chste Mal QSC Aktivlautsprecher beim Live-Auftritt als B\u00fchnenmonitore nutzt!<\/p>","protected":false},"excerpt":{"rendered":"<p>So, bevor es losgeht, sollten wir uns noch einmal die physikalischen Grundlagen der Schallausbreitung ins Ged\u00e4chtnis rufen. Zun\u00e4chst sollten wir einmal kl\u00e4ren, was der Begriff \u201eAbstrahlbereich\u201c genau bedeutet: Es ist das Raumvolumen, in das ein Lautsprecher Schall abstrahlt... <a href=\"https:\/\/blogs.qsc.com\/live-sound\/de\/floor-monitor-presets_wie-ihr-diese-richtig-einsetzt\/\">Read More<\/a><\/p>","protected":false},"author":29,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[7,83,18,79,14,63,25,65,19],"tags":[109,117,116,113,114,160,107,70,118,119,66,120,112,115],"class_list":["post-2433","post","type-post","status-publish","format-standard","hentry","category-av-rental-presentation","category-cp-series","category-djs-dance","category-educational","category-events","category-house-of-worship","category-k-family","category-k-2-series","category-musicians-bands","tag-cp-series","tag-cp12","tag-cp8","tag-english","tag-floor-monitor","tag-french","tag-german","tag-k-2-series","tag-k10-2","tag-k12-2","tag-k8-2","tag-presets","tag-spanish","tag-stage-monitor"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v24.9 - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>Why and How to correctly use Floor Monitor Presets - Blog | Resources<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/blogs.qsc.com\/live-sound\/de\/why-and-how-to-correctly-use-floor-monitor-presets\/\" \/>\n<meta property=\"og:locale\" content=\"de_DE\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Why and How to correctly use Floor Monitor Presets - Blog | Resources\" \/>\n<meta property=\"og:description\" content=\"Sound Radiation from the Floor Let\u2019s start by recalling some fundamentals in the physics of sound. First, we should remember what \u2018radiation space\u2019 means: it is the volume into which a loudspeaker is radiating sound. Now, at low frequency (typically below 200 Hz), where the sound radiation is omnidirectional, the sound level increases when hard &hellip; Read More\" \/>\n<meta property=\"og:url\" content=\"https:\/\/blogs.qsc.com\/live-sound\/de\/why-and-how-to-correctly-use-floor-monitor-presets\/\" \/>\n<meta property=\"og:site_name\" content=\"Blog | Resources\" \/>\n<meta property=\"article:published_time\" content=\"2020-07-22T04:47:08+00:00\" \/>\n<meta property=\"article:modified_time\" content=\"2020-10-29T10:53:16+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/blogs.qsc.com\/app\/uploads\/sites\/3\/2020\/07\/1.-QSC-Blog_Fig-1_Radiation-space-for-Floor-Monitor-1.png\" \/>\n<meta name=\"author\" content=\"Christophe Anet\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:label1\" content=\"Written by\" \/>\n\t<meta name=\"twitter:data1\" content=\"Christophe Anet\" \/>\n\t<meta name=\"twitter:label2\" content=\"Est. reading time\" \/>\n\t<meta name=\"twitter:data2\" content=\"2 minutes\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\/\/schema.org\",\"@graph\":[{\"@type\":\"WebPage\",\"@id\":\"https:\/\/blogs.qsc.com\/live-sound\/why-and-how-to-correctly-use-floor-monitor-presets\/\",\"url\":\"https:\/\/blogs.qsc.com\/live-sound\/why-and-how-to-correctly-use-floor-monitor-presets\/\",\"name\":\"Why and How to correctly use Floor Monitor Presets - Blog | Resources\",\"isPartOf\":{\"@id\":\"https:\/\/blogs.qsc.com\/live-sound\/#website\"},\"primaryImageOfPage\":{\"@id\":\"https:\/\/blogs.qsc.com\/live-sound\/why-and-how-to-correctly-use-floor-monitor-presets\/#primaryimage\"},\"image\":{\"@id\":\"https:\/\/blogs.qsc.com\/live-sound\/why-and-how-to-correctly-use-floor-monitor-presets\/#primaryimage\"},\"thumbnailUrl\":\"https:\/\/blogs.qsc.com\/app\/uploads\/sites\/3\/2020\/07\/1.-QSC-Blog_Fig-1_Radiation-space-for-Floor-Monitor-1.png\",\"datePublished\":\"2020-07-22T04:47:08+00:00\",\"dateModified\":\"2020-10-29T10:53:16+00:00\",\"author\":{\"@id\":\"https:\/\/blogs.qsc.com\/live-sound\/#\/schema\/person\/a8866d0b07d2d57a44a4940d6e2dc4a0\"},\"breadcrumb\":{\"@id\":\"https:\/\/blogs.qsc.com\/live-sound\/why-and-how-to-correctly-use-floor-monitor-presets\/#breadcrumb\"},\"inLanguage\":\"de-DE\",\"potentialAction\":[{\"@type\":\"ReadAction\",\"target\":[\"https:\/\/blogs.qsc.com\/live-sound\/why-and-how-to-correctly-use-floor-monitor-presets\/\"]}]},{\"@type\":\"ImageObject\",\"inLanguage\":\"de-DE\",\"@id\":\"https:\/\/blogs.qsc.com\/live-sound\/why-and-how-to-correctly-use-floor-monitor-presets\/#primaryimage\",\"url\":\"https:\/\/blogs.qsc.com\/app\/uploads\/sites\/3\/2020\/07\/1.-QSC-Blog_Fig-1_Radiation-space-for-Floor-Monitor-1.png\",\"contentUrl\":\"https:\/\/blogs.qsc.com\/app\/uploads\/sites\/3\/2020\/07\/1.-QSC-Blog_Fig-1_Radiation-space-for-Floor-Monitor-1.png\"},{\"@type\":\"BreadcrumbList\",\"@id\":\"https:\/\/blogs.qsc.com\/live-sound\/why-and-how-to-correctly-use-floor-monitor-presets\/#breadcrumb\",\"itemListElement\":[{\"@type\":\"ListItem\",\"position\":1,\"name\":\"Home\",\"item\":\"https:\/\/blogs.qsc.com\/live-sound\/\"},{\"@type\":\"ListItem\",\"position\":2,\"name\":\"Why and How to correctly use Floor Monitor Presets\"}]},{\"@type\":\"WebSite\",\"@id\":\"https:\/\/blogs.qsc.com\/live-sound\/#website\",\"url\":\"https:\/\/blogs.qsc.com\/live-sound\/\",\"name\":\"Blog | Resources\",\"description\":\"QSC\",\"potentialAction\":[{\"@type\":\"SearchAction\",\"target\":{\"@type\":\"EntryPoint\",\"urlTemplate\":\"https:\/\/blogs.qsc.com\/live-sound\/?s={search_term_string}\"},\"query-input\":{\"@type\":\"PropertyValueSpecification\",\"valueRequired\":true,\"valueName\":\"search_term_string\"}}],\"inLanguage\":\"de-DE\"},{\"@type\":\"Person\",\"@id\":\"https:\/\/blogs.qsc.com\/live-sound\/#\/schema\/person\/a8866d0b07d2d57a44a4940d6e2dc4a0\",\"name\":\"Christophe Anet\",\"image\":{\"@type\":\"ImageObject\",\"inLanguage\":\"de-DE\",\"@id\":\"https:\/\/blogs.qsc.com\/live-sound\/#\/schema\/person\/image\/\",\"url\":\"https:\/\/secure.gravatar.com\/avatar\/c8477b4735e81f241edc3cc5da4d26cba5c0f45cabc80bb23e9ab99ff47335da?s=96&d=mm&r=g\",\"contentUrl\":\"https:\/\/secure.gravatar.com\/avatar\/c8477b4735e81f241edc3cc5da4d26cba5c0f45cabc80bb23e9ab99ff47335da?s=96&d=mm&r=g\",\"caption\":\"Christophe Anet\"},\"description\":\"Christophe Anet is an electroacoustics engineer and live sound professional. 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