{"id":2433,"date":"2020-07-22T04:47:08","date_gmt":"2020-07-22T04:47:08","guid":{"rendered":"https:\/\/blogs.qsc.com\/live-sound\/?p=2433"},"modified":"2020-10-29T10:53:16","modified_gmt":"2020-10-29T10:53:16","slug":"why-and-how-to-correctly-use-floor-monitor-presets","status":"publish","type":"post","link":"https:\/\/blogs.qsc.com\/live-sound\/es\/por-que-usar-ajustes-predefinidos-en-monitores-de-escenario-y-como-usarlos-de-forma-correcta\/","title":{"rendered":"Por qu\u00e9 usar ajustes predefinidos en monitores de escenario, y c\u00f3mo usarlos de forma correcta"},"content":{"rendered":"<div class=\"trp_language_switcher_shortcode\">\n<div class=\"trp-language-switcher trp-language-switcher-container\" data-no-translation>\n    <div class=\"trp-ls-shortcode-current-language\">\n        <a href=\"#\" class=\"trp-ls-shortcode-disabled-language trp-ls-disabled-language\" title=\"Espa\u00f1ol de M\u00e9xico\" onclick=\"event.preventDefault()\">\n\t\t\t Espa\u00f1ol de M\u00e9xico\t\t<\/a>\n    <\/div>\n    <div class=\"trp-ls-shortcode-language\">\n                <a href=\"#\" class=\"trp-ls-shortcode-disabled-language trp-ls-disabled-language\"  title=\"Espa\u00f1ol de M\u00e9xico\" onclick=\"event.preventDefault()\">\n\t\t\t Espa\u00f1ol de M\u00e9xico\t\t<\/a>\n                    <a href=\"https:\/\/blogs.qsc.com\/live-sound\/es\/wp-json\/wp\/v2\/posts\/2433\" title=\"English\">\n             English        <\/a>\n\n            <a href=\"https:\/\/blogs.qsc.com\/live-sound\/es\/wp-json\/wp\/v2\/posts\/2433\" title=\"Deutsch\">\n             Deutsch        <\/a>\n\n            <a href=\"https:\/\/blogs.qsc.com\/live-sound\/es\/wp-json\/wp\/v2\/posts\/2433\" title=\"Fran\u00e7ais\">\n             Fran\u00e7ais        <\/a>\n\n        <\/div>\n    <script type=\"application\/javascript\">\n        \/\/ need to have the same with set from JS on both divs. Otherwise it can push stuff around in HTML\n        var trp_ls_shortcodes = document.querySelectorAll('.trp_language_switcher_shortcode .trp-language-switcher');\n        if ( trp_ls_shortcodes.length > 0) {\n            \/\/ get the last language switcher added\n            var trp_el = trp_ls_shortcodes[trp_ls_shortcodes.length - 1];\n\n            var trp_shortcode_language_item = trp_el.querySelector( '.trp-ls-shortcode-language' )\n            \/\/ set width\n            var trp_ls_shortcode_width                                               = trp_shortcode_language_item.offsetWidth + 16;\n            trp_shortcode_language_item.style.width                                  = trp_ls_shortcode_width + 'px';\n            trp_el.querySelector( '.trp-ls-shortcode-current-language' ).style.width = trp_ls_shortcode_width + 'px';\n\n            \/\/ We're putting this on display: none after we have its width.\n            trp_shortcode_language_item.style.display = 'none';\n        }\n    <\/script>\n<\/div>\n<\/div>\n\n\n\n<h3 class=\"wp-block-heading\"><strong>Radiaci\u00f3n del sonido desde el suelo<\/strong><\/h3>\n\n\n\n<p>Comencemos recordando algunas nociones b\u00e1sicas sobre la f\u00edsica del sonido. Primero, deber\u00edamos recordar lo que significa \u201cespacio de radiaci\u00f3n\u201d: es el volumen en el que un altavoz irradia el sonido. Ahora bien, a frecuencias graves (normalmente por debajo de 200 Hz), donde la radiaci\u00f3n de sonido es omnidireccional, el nivel del sonido aumenta cuando hay paredes macizas o un suelo que limitan el espacio de radiaci\u00f3n. Por lo tanto, un altavoz con una respuesta en frecuencia normalmente plana por debajo de los 200 Hz en un espacio libre producir\u00e1 un nivel de sonido hasta 6 dB m\u00e1s alto en las frecuencias graves cuando se coloca en el suelo.<\/p>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter size-large\"><img decoding=\"async\" width=\"927\" height=\"665\" src=\"https:\/\/blogs.qsc.com\/app\/uploads\/sites\/3\/2020\/07\/1.-QSC-Blog_Fig-1_Radiation-space-for-Floor-Monitor-1.png\" alt=\"\" class=\"wp-image-2486\" srcset=\"https:\/\/blogs.qsc.com\/app\/uploads\/sites\/3\/2020\/07\/1.-QSC-Blog_Fig-1_Radiation-space-for-Floor-Monitor-1.png 927w, https:\/\/blogs.qsc.com\/app\/uploads\/sites\/3\/2020\/07\/1.-QSC-Blog_Fig-1_Radiation-space-for-Floor-Monitor-1-300x215.png 300w, https:\/\/blogs.qsc.com\/app\/uploads\/sites\/3\/2020\/07\/1.-QSC-Blog_Fig-1_Radiation-space-for-Floor-Monitor-1-768x551.png 768w, https:\/\/blogs.qsc.com\/app\/uploads\/sites\/3\/2020\/07\/1.-QSC-Blog_Fig-1_Radiation-space-for-Floor-Monitor-1-250x179.png 250w, https:\/\/blogs.qsc.com\/app\/uploads\/sites\/3\/2020\/07\/1.-QSC-Blog_Fig-1_Radiation-space-for-Floor-Monitor-1-550x395.png 550w, https:\/\/blogs.qsc.com\/app\/uploads\/sites\/3\/2020\/07\/1.-QSC-Blog_Fig-1_Radiation-space-for-Floor-Monitor-1-800x574.png 800w, https:\/\/blogs.qsc.com\/app\/uploads\/sites\/3\/2020\/07\/1.-QSC-Blog_Fig-1_Radiation-space-for-Floor-Monitor-1-251x180.png 251w, https:\/\/blogs.qsc.com\/app\/uploads\/sites\/3\/2020\/07\/1.-QSC-Blog_Fig-1_Radiation-space-for-Floor-Monitor-1-418x300.png 418w, https:\/\/blogs.qsc.com\/app\/uploads\/sites\/3\/2020\/07\/1.-QSC-Blog_Fig-1_Radiation-space-for-Floor-Monitor-1-697x500.png 697w, https:\/\/blogs.qsc.com\/app\/uploads\/sites\/3\/2020\/07\/1.-QSC-Blog_Fig-1_Radiation-space-for-Floor-Monitor-1-210x150.png 210w\" sizes=\"(max-width: 927px) 100vw, 927px\" \/><figcaption>Imagen 1 - El espacio de radiaci\u00f3n define el volumen en el que el altavoz irradia el sonido. Un cambio en el espacio de radiaci\u00f3n afectar\u00e1 a la salida del altavoz por debajo de los 200 Hz.<\/figcaption><\/figure><\/div>\n\n\n\n<h3 class=\"wp-block-heading\"><strong>Ajuste sus monitores de escenario<\/strong><\/h3>\n\n\n\n<p>Por lo tanto, si configura sus altavoces como monitores de escenario, \u00bfqu\u00e9 puede hacer al respecto? Pues bien, tanto la serie de altavoces K.2 como la serie CP de QSC disponen de una serie de ajustes predefinidos para aplicaciones habituales, y esto incluye un ajuste predefinido Floor Monitor o Stage Monitor, para monitor de suelo o de escenario. Estos ajustes predefinidos aplican con precisi\u00f3n la reducci\u00f3n adecuada de la salida del nivel de graves para mantener una reproducci\u00f3n de graves clara, firme y con pegada. Recuerde que los niveles excesivos de graves tienden a dar \u00e9nfasis a ciertas notas graves, crean resonancias y causan una reproducci\u00f3n poco clara del audio y con una din\u00e1mica pobre.<\/p>\n\n\n\n<p class=\"translation-block\">Ech\u00e9mosle un vistazo m\u00e1s de cerca a las dos series de altavoces. El ajuste predefinido <strong>Floor Monitor <\/strong> de los <a href=\"https:\/\/www.qsc.com\/es\/sonido-en-vivo\/productos\/altavoces\/altavoces-amplificados\/serie-cp\/cp8\/\" target=\"_self\">CP8<\/a> y <a href=\"https:\/\/www.qsc.com\/es\/sonido-en-vivo\/productos\/altavoces\/altavoces-amplificados\/serie-cp\/cp12\/\" target=\"_self\">CP12<\/a> proporciona, tanto en la entrada A como en la B, un perfil para un sonido completo y equilibrado, pero reduciendo al mismo tiempo la mayor cantidad posible de frecuencias graves para proporcionar una mayor estabilidad cuando hay micr\u00f3fonos de directo cerca.<\/p>\n\n\n\n<p><\/p>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter size-large\"><img decoding=\"async\" width=\"736\" height=\"218\" src=\"https:\/\/blogs.qsc.com\/app\/uploads\/sites\/3\/2020\/07\/2.-QSC-Blog-Fig-2_CP12_Rearview.jpg\" alt=\"\" class=\"wp-image-2441\" srcset=\"https:\/\/blogs.qsc.com\/app\/uploads\/sites\/3\/2020\/07\/2.-QSC-Blog-Fig-2_CP12_Rearview.jpg 736w, https:\/\/blogs.qsc.com\/app\/uploads\/sites\/3\/2020\/07\/2.-QSC-Blog-Fig-2_CP12_Rearview-300x89.jpg 300w, https:\/\/blogs.qsc.com\/app\/uploads\/sites\/3\/2020\/07\/2.-QSC-Blog-Fig-2_CP12_Rearview-250x74.jpg 250w, https:\/\/blogs.qsc.com\/app\/uploads\/sites\/3\/2020\/07\/2.-QSC-Blog-Fig-2_CP12_Rearview-550x163.jpg 550w, https:\/\/blogs.qsc.com\/app\/uploads\/sites\/3\/2020\/07\/2.-QSC-Blog-Fig-2_CP12_Rearview-608x180.jpg 608w\" sizes=\"(max-width: 736px) 100vw, 736px\" \/><figcaption>Imagen 2. \u2013 La serie CP de altavoces activos compactos dispone de seis ajustes predefinidos DSP, entre ellos un perfil para monitor de escenario.<\/figcaption><\/figure><\/div>\n\n\n\n<p class=\"translation-block\">Viendo los tres modelos de la <a href=\"https:\/\/www.qsc.com\/es\/sonido-en-vivo\/productos\/altavoces\/altavoces-amplificados\/serie-qsc-k2tm\/\" target=\"_self\">serie K.2 de QSC<\/a> y sus once ajustes predefinidos distintos, notar\u00e1 que disponen de dos ajustes predefinidos distintos para monitor de escenario.<\/p>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter size-large\"><img decoding=\"async\" width=\"1024\" height=\"325\" src=\"https:\/\/blogs.qsc.com\/app\/uploads\/sites\/3\/2020\/07\/3.-QSC-Blog_Fig-3_K.2-Series-Presets-1024x325.png\" alt=\"\" class=\"wp-image-2436\" srcset=\"https:\/\/blogs.qsc.com\/app\/uploads\/sites\/3\/2020\/07\/3.-QSC-Blog_Fig-3_K.2-Series-Presets-1024x325.png 1024w, https:\/\/blogs.qsc.com\/app\/uploads\/sites\/3\/2020\/07\/3.-QSC-Blog_Fig-3_K.2-Series-Presets-300x95.png 300w, https:\/\/blogs.qsc.com\/app\/uploads\/sites\/3\/2020\/07\/3.-QSC-Blog_Fig-3_K.2-Series-Presets-768x244.png 768w, https:\/\/blogs.qsc.com\/app\/uploads\/sites\/3\/2020\/07\/3.-QSC-Blog_Fig-3_K.2-Series-Presets-250x79.png 250w, https:\/\/blogs.qsc.com\/app\/uploads\/sites\/3\/2020\/07\/3.-QSC-Blog_Fig-3_K.2-Series-Presets-550x175.png 550w, https:\/\/blogs.qsc.com\/app\/uploads\/sites\/3\/2020\/07\/3.-QSC-Blog_Fig-3_K.2-Series-Presets-800x254.png 800w, https:\/\/blogs.qsc.com\/app\/uploads\/sites\/3\/2020\/07\/3.-QSC-Blog_Fig-3_K.2-Series-Presets-567x180.png 567w, https:\/\/blogs.qsc.com\/app\/uploads\/sites\/3\/2020\/07\/3.-QSC-Blog_Fig-3_K.2-Series-Presets-945x300.png 945w, https:\/\/blogs.qsc.com\/app\/uploads\/sites\/3\/2020\/07\/3.-QSC-Blog_Fig-3_K.2-Series-Presets.png 1481w\" sizes=\"(max-width: 1024px) 100vw, 1024px\" \/><figcaption>Imagen 3. \u2013 Los altavoces activos de la serie K.2 de QSC ofrecen once ajustes predefinidos DSP, entre ellos dos perfiles distintos para monitor de escenario.<\/figcaption><\/figure><\/div>\n\n\n\n<p class=\"translation-block\">Aunque que el ajuste predefinido <strong>Stage Monitor 1<\/strong> deber\u00eda usarse, evidentemente, para reducir el exceso de graves que se produce en el escenario, est\u00e1 especialmente indicado para voces, instrumentos ac\u00fasticos, percusiones de mano, etc., ya que proporciona una eficiente atenuaci\u00f3n de los graves.<\/p>\n\n\n\n<p class=\"translation-block\">Por otra parte, el ajuste predefinido<strong>Stage Monitor 2<\/strong> proporciona una menor atenuaci\u00f3n de los graves y, por lo tanto, deber\u00eda seleccionarse cuando se necesita una reproducci\u00f3n precisa de las frecuencias graves, como en el caso de los teclados, la bater\u00eda, los bajos y cualquier otro instrumento o fuente que reproduzca un amplio espectro de frecuencias graves.<\/p>\n\n\n\n<p>As\u00ed que, la pr\u00f3xima vez que est\u00e9 en el escenario con los altavoces activos de QSC configurados como monitores de escenario, no se olvide de seleccionar el \u00fatil ajuste predefinido Floor Monitor.<\/p>","protected":false},"excerpt":{"rendered":"<p>Comencemos recordando algunas nociones b\u00e1sicas sobre la f\u00edsica del sonido. Primero, deber\u00edamos recordar lo que significa \u201cespacio de radiaci\u00f3n\u201d: es el volumen en el que un altavoz irradia el sonido. Ahora bien, a frecuencias graves (normalmente por debajo de 200 Hz), donde la radiaci\u00f3n de sonido es omnidireccional, el nivel del sonido aumenta cuando hay paredes macizas o un suelo que limitan el espacio de radiaci\u00f3n. <a href=\"https:\/\/blogs.qsc.com\/live-sound\/es\/por-que-usar-ajustes-predefinidos-en-monitores-de-escenario-y-como-usarlos-de-forma-correcta\/\">Read More<\/a><\/p>","protected":false},"author":29,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[7,83,18,79,14,63,25,65,19],"tags":[109,117,116,113,114,160,107,70,118,119,66,120,112,115],"class_list":["post-2433","post","type-post","status-publish","format-standard","hentry","category-av-rental-presentation","category-cp-series","category-djs-dance","category-educational","category-events","category-house-of-worship","category-k-family","category-k-2-series","category-musicians-bands","tag-cp-series","tag-cp12","tag-cp8","tag-english","tag-floor-monitor","tag-french","tag-german","tag-k-2-series","tag-k10-2","tag-k12-2","tag-k8-2","tag-presets","tag-spanish","tag-stage-monitor"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v24.9 - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>Why and How to correctly use Floor Monitor Presets - Blog | Resources<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/blogs.qsc.com\/live-sound\/es\/why-and-how-to-correctly-use-floor-monitor-presets\/\" \/>\n<meta property=\"og:locale\" content=\"es_MX\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Why and How to correctly use Floor Monitor Presets - Blog | Resources\" \/>\n<meta property=\"og:description\" content=\"Sound Radiation from the Floor Let\u2019s start by recalling some fundamentals in the physics of sound. First, we should remember what \u2018radiation space\u2019 means: it is the volume into which a loudspeaker is radiating sound. Now, at low frequency (typically below 200 Hz), where the sound radiation is omnidirectional, the sound level increases when hard &hellip; Read More\" \/>\n<meta property=\"og:url\" content=\"https:\/\/blogs.qsc.com\/live-sound\/es\/why-and-how-to-correctly-use-floor-monitor-presets\/\" \/>\n<meta property=\"og:site_name\" content=\"Blog | Resources\" \/>\n<meta property=\"article:published_time\" content=\"2020-07-22T04:47:08+00:00\" \/>\n<meta property=\"article:modified_time\" content=\"2020-10-29T10:53:16+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/blogs.qsc.com\/app\/uploads\/sites\/3\/2020\/07\/1.-QSC-Blog_Fig-1_Radiation-space-for-Floor-Monitor-1.png\" \/>\n<meta name=\"author\" content=\"Christophe Anet\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:label1\" content=\"Written by\" \/>\n\t<meta name=\"twitter:data1\" content=\"Christophe Anet\" \/>\n\t<meta name=\"twitter:label2\" content=\"Est. reading time\" \/>\n\t<meta name=\"twitter:data2\" content=\"2 minutes\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\/\/schema.org\",\"@graph\":[{\"@type\":\"WebPage\",\"@id\":\"https:\/\/blogs.qsc.com\/live-sound\/why-and-how-to-correctly-use-floor-monitor-presets\/\",\"url\":\"https:\/\/blogs.qsc.com\/live-sound\/why-and-how-to-correctly-use-floor-monitor-presets\/\",\"name\":\"Why and How to correctly use Floor Monitor Presets - Blog | Resources\",\"isPartOf\":{\"@id\":\"https:\/\/blogs.qsc.com\/live-sound\/#website\"},\"primaryImageOfPage\":{\"@id\":\"https:\/\/blogs.qsc.com\/live-sound\/why-and-how-to-correctly-use-floor-monitor-presets\/#primaryimage\"},\"image\":{\"@id\":\"https:\/\/blogs.qsc.com\/live-sound\/why-and-how-to-correctly-use-floor-monitor-presets\/#primaryimage\"},\"thumbnailUrl\":\"https:\/\/blogs.qsc.com\/app\/uploads\/sites\/3\/2020\/07\/1.-QSC-Blog_Fig-1_Radiation-space-for-Floor-Monitor-1.png\",\"datePublished\":\"2020-07-22T04:47:08+00:00\",\"dateModified\":\"2020-10-29T10:53:16+00:00\",\"author\":{\"@id\":\"https:\/\/blogs.qsc.com\/live-sound\/#\/schema\/person\/a8866d0b07d2d57a44a4940d6e2dc4a0\"},\"breadcrumb\":{\"@id\":\"https:\/\/blogs.qsc.com\/live-sound\/why-and-how-to-correctly-use-floor-monitor-presets\/#breadcrumb\"},\"inLanguage\":\"es-MX\",\"potentialAction\":[{\"@type\":\"ReadAction\",\"target\":[\"https:\/\/blogs.qsc.com\/live-sound\/why-and-how-to-correctly-use-floor-monitor-presets\/\"]}]},{\"@type\":\"ImageObject\",\"inLanguage\":\"es-MX\",\"@id\":\"https:\/\/blogs.qsc.com\/live-sound\/why-and-how-to-correctly-use-floor-monitor-presets\/#primaryimage\",\"url\":\"https:\/\/blogs.qsc.com\/app\/uploads\/sites\/3\/2020\/07\/1.-QSC-Blog_Fig-1_Radiation-space-for-Floor-Monitor-1.png\",\"contentUrl\":\"https:\/\/blogs.qsc.com\/app\/uploads\/sites\/3\/2020\/07\/1.-QSC-Blog_Fig-1_Radiation-space-for-Floor-Monitor-1.png\"},{\"@type\":\"BreadcrumbList\",\"@id\":\"https:\/\/blogs.qsc.com\/live-sound\/why-and-how-to-correctly-use-floor-monitor-presets\/#breadcrumb\",\"itemListElement\":[{\"@type\":\"ListItem\",\"position\":1,\"name\":\"Home\",\"item\":\"https:\/\/blogs.qsc.com\/live-sound\/\"},{\"@type\":\"ListItem\",\"position\":2,\"name\":\"Why and How to correctly use Floor Monitor Presets\"}]},{\"@type\":\"WebSite\",\"@id\":\"https:\/\/blogs.qsc.com\/live-sound\/#website\",\"url\":\"https:\/\/blogs.qsc.com\/live-sound\/\",\"name\":\"Blog | Resources\",\"description\":\"QSC\",\"potentialAction\":[{\"@type\":\"SearchAction\",\"target\":{\"@type\":\"EntryPoint\",\"urlTemplate\":\"https:\/\/blogs.qsc.com\/live-sound\/?s={search_term_string}\"},\"query-input\":{\"@type\":\"PropertyValueSpecification\",\"valueRequired\":true,\"valueName\":\"search_term_string\"}}],\"inLanguage\":\"es-MX\"},{\"@type\":\"Person\",\"@id\":\"https:\/\/blogs.qsc.com\/live-sound\/#\/schema\/person\/a8866d0b07d2d57a44a4940d6e2dc4a0\",\"name\":\"Christophe Anet\",\"image\":{\"@type\":\"ImageObject\",\"inLanguage\":\"es-MX\",\"@id\":\"https:\/\/blogs.qsc.com\/live-sound\/#\/schema\/person\/image\/\",\"url\":\"https:\/\/secure.gravatar.com\/avatar\/c8477b4735e81f241edc3cc5da4d26cba5c0f45cabc80bb23e9ab99ff47335da?s=96&d=mm&r=g\",\"contentUrl\":\"https:\/\/secure.gravatar.com\/avatar\/c8477b4735e81f241edc3cc5da4d26cba5c0f45cabc80bb23e9ab99ff47335da?s=96&d=mm&r=g\",\"caption\":\"Christophe Anet\"},\"description\":\"Christophe Anet is an electroacoustics engineer and live sound professional. Over the years, his passion for acoustics led him to design recording studios, lecture about psycho-acoustics and calibrate recording studio control rooms around the world. When not playing guitar, you can find him either rock climbing in the Swiss Alps or painting landscape watercolors in the wilderness.\",\"url\":\"https:\/\/blogs.qsc.com\/live-sound\/es\/author\/canet\/\"}]}<\/script>\n<!-- \/ Yoast SEO plugin. -->","yoast_head_json":{"title":"Why and How to correctly use Floor Monitor Presets - Blog | Resources","robots":{"index":"index","follow":"follow","max-snippet":"max-snippet:-1","max-image-preview":"max-image-preview:large","max-video-preview":"max-video-preview:-1"},"canonical":"https:\/\/blogs.qsc.com\/live-sound\/es\/why-and-how-to-correctly-use-floor-monitor-presets\/","og_locale":"es_MX","og_type":"article","og_title":"Why and How to correctly use Floor Monitor Presets - Blog | Resources","og_description":"Sound Radiation from the Floor Let\u2019s start by recalling some fundamentals in the physics of sound. First, we should remember what \u2018radiation space\u2019 means: it is the volume into which a loudspeaker is radiating sound. Now, at low frequency (typically below 200 Hz), where the sound radiation is omnidirectional, the sound level increases when hard &hellip; Read More","og_url":"https:\/\/blogs.qsc.com\/live-sound\/es\/why-and-how-to-correctly-use-floor-monitor-presets\/","og_site_name":"Blog | Resources","article_published_time":"2020-07-22T04:47:08+00:00","article_modified_time":"2020-10-29T10:53:16+00:00","og_image":[{"url":"https:\/\/blogs.qsc.com\/app\/uploads\/sites\/3\/2020\/07\/1.-QSC-Blog_Fig-1_Radiation-space-for-Floor-Monitor-1.png","type":"","width":"","height":""}],"author":"Christophe Anet","twitter_card":"summary_large_image","twitter_misc":{"Written by":"Christophe Anet","Est. reading time":"2 minutes"},"schema":{"@context":"https:\/\/schema.org","@graph":[{"@type":"WebPage","@id":"https:\/\/blogs.qsc.com\/live-sound\/why-and-how-to-correctly-use-floor-monitor-presets\/","url":"https:\/\/blogs.qsc.com\/live-sound\/why-and-how-to-correctly-use-floor-monitor-presets\/","name":"Why and How to correctly use Floor Monitor Presets - Blog | Resources","isPartOf":{"@id":"https:\/\/blogs.qsc.com\/live-sound\/#website"},"primaryImageOfPage":{"@id":"https:\/\/blogs.qsc.com\/live-sound\/why-and-how-to-correctly-use-floor-monitor-presets\/#primaryimage"},"image":{"@id":"https:\/\/blogs.qsc.com\/live-sound\/why-and-how-to-correctly-use-floor-monitor-presets\/#primaryimage"},"thumbnailUrl":"https:\/\/blogs.qsc.com\/app\/uploads\/sites\/3\/2020\/07\/1.-QSC-Blog_Fig-1_Radiation-space-for-Floor-Monitor-1.png","datePublished":"2020-07-22T04:47:08+00:00","dateModified":"2020-10-29T10:53:16+00:00","author":{"@id":"https:\/\/blogs.qsc.com\/live-sound\/#\/schema\/person\/a8866d0b07d2d57a44a4940d6e2dc4a0"},"breadcrumb":{"@id":"https:\/\/blogs.qsc.com\/live-sound\/why-and-how-to-correctly-use-floor-monitor-presets\/#breadcrumb"},"inLanguage":"es-MX","potentialAction":[{"@type":"ReadAction","target":["https:\/\/blogs.qsc.com\/live-sound\/why-and-how-to-correctly-use-floor-monitor-presets\/"]}]},{"@type":"ImageObject","inLanguage":"es-MX","@id":"https:\/\/blogs.qsc.com\/live-sound\/why-and-how-to-correctly-use-floor-monitor-presets\/#primaryimage","url":"https:\/\/blogs.qsc.com\/app\/uploads\/sites\/3\/2020\/07\/1.-QSC-Blog_Fig-1_Radiation-space-for-Floor-Monitor-1.png","contentUrl":"https:\/\/blogs.qsc.com\/app\/uploads\/sites\/3\/2020\/07\/1.-QSC-Blog_Fig-1_Radiation-space-for-Floor-Monitor-1.png"},{"@type":"BreadcrumbList","@id":"https:\/\/blogs.qsc.com\/live-sound\/why-and-how-to-correctly-use-floor-monitor-presets\/#breadcrumb","itemListElement":[{"@type":"ListItem","position":1,"name":"Home","item":"https:\/\/blogs.qsc.com\/live-sound\/"},{"@type":"ListItem","position":2,"name":"Why and How to correctly use Floor Monitor Presets"}]},{"@type":"WebSite","@id":"https:\/\/blogs.qsc.com\/live-sound\/#website","url":"https:\/\/blogs.qsc.com\/live-sound\/","name":"Blog | Resources","description":"QSC","potentialAction":[{"@type":"SearchAction","target":{"@type":"EntryPoint","urlTemplate":"https:\/\/blogs.qsc.com\/live-sound\/?s={search_term_string}"},"query-input":{"@type":"PropertyValueSpecification","valueRequired":true,"valueName":"search_term_string"}}],"inLanguage":"es-MX"},{"@type":"Person","@id":"https:\/\/blogs.qsc.com\/live-sound\/#\/schema\/person\/a8866d0b07d2d57a44a4940d6e2dc4a0","name":"Christophe Anet","image":{"@type":"ImageObject","inLanguage":"es-MX","@id":"https:\/\/blogs.qsc.com\/live-sound\/#\/schema\/person\/image\/","url":"https:\/\/secure.gravatar.com\/avatar\/c8477b4735e81f241edc3cc5da4d26cba5c0f45cabc80bb23e9ab99ff47335da?s=96&d=mm&r=g","contentUrl":"https:\/\/secure.gravatar.com\/avatar\/c8477b4735e81f241edc3cc5da4d26cba5c0f45cabc80bb23e9ab99ff47335da?s=96&d=mm&r=g","caption":"Christophe Anet"},"description":"Christophe Anet is an electroacoustics engineer and live sound professional. Over the years, his passion for acoustics led him to design recording studios, lecture about psycho-acoustics and calibrate recording studio control rooms around the world. When not playing guitar, you can find him either rock climbing in the Swiss Alps or painting landscape watercolors in the wilderness.","url":"https:\/\/blogs.qsc.com\/live-sound\/es\/author\/canet\/"}]}},"_links":{"self":[{"href":"https:\/\/blogs.qsc.com\/live-sound\/es\/wp-json\/wp\/v2\/posts\/2433","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/blogs.qsc.com\/live-sound\/es\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/blogs.qsc.com\/live-sound\/es\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/blogs.qsc.com\/live-sound\/es\/wp-json\/wp\/v2\/users\/29"}],"replies":[{"embeddable":true,"href":"https:\/\/blogs.qsc.com\/live-sound\/es\/wp-json\/wp\/v2\/comments?post=2433"}],"version-history":[{"count":0,"href":"https:\/\/blogs.qsc.com\/live-sound\/es\/wp-json\/wp\/v2\/posts\/2433\/revisions"}],"wp:attachment":[{"href":"https:\/\/blogs.qsc.com\/live-sound\/es\/wp-json\/wp\/v2\/media?parent=2433"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/blogs.qsc.com\/live-sound\/es\/wp-json\/wp\/v2\/categories?post=2433"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/blogs.qsc.com\/live-sound\/es\/wp-json\/wp\/v2\/tags?post=2433"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}