{"id":2433,"date":"2020-07-22T04:47:08","date_gmt":"2020-07-22T04:47:08","guid":{"rendered":"https:\/\/blogs.qsc.com\/live-sound\/?p=2433"},"modified":"2020-10-29T10:53:16","modified_gmt":"2020-10-29T10:53:16","slug":"why-and-how-to-correctly-use-floor-monitor-presets","status":"publish","type":"post","link":"https:\/\/blogs.qsc.com\/live-sound\/fr\/pourquoi-et-comment-utiliser-correctement-les-prereglages-de-retour-de-scene\/","title":{"rendered":"Pourquoi et comment utiliser correctement les pr\u00e9r\u00e9glages de retour de sc\u00e8ne"},"content":{"rendered":"<div class=\"trp_language_switcher_shortcode\">\n<div class=\"trp-language-switcher trp-language-switcher-container\" data-no-translation>\n    <div class=\"trp-ls-shortcode-current-language\">\n        <a href=\"#\" class=\"trp-ls-shortcode-disabled-language trp-ls-disabled-language\" title=\"Fran\u00e7ais\" onclick=\"event.preventDefault()\">\n\t\t\t Fran\u00e7ais\t\t<\/a>\n    <\/div>\n    <div class=\"trp-ls-shortcode-language\">\n                <a href=\"#\" class=\"trp-ls-shortcode-disabled-language trp-ls-disabled-language\"  title=\"Fran\u00e7ais\" onclick=\"event.preventDefault()\">\n\t\t\t Fran\u00e7ais\t\t<\/a>\n                    <a href=\"https:\/\/blogs.qsc.com\/live-sound\/fr\/wp-json\/wp\/v2\/posts\/2433\" title=\"English\">\n             English        <\/a>\n\n            <a href=\"https:\/\/blogs.qsc.com\/live-sound\/fr\/wp-json\/wp\/v2\/posts\/2433\" title=\"Deutsch\">\n             Deutsch        <\/a>\n\n            <a href=\"https:\/\/blogs.qsc.com\/live-sound\/fr\/wp-json\/wp\/v2\/posts\/2433\" title=\"Espa\u00f1ol de M\u00e9xico\">\n             Espa\u00f1ol de M\u00e9xico        <\/a>\n\n        <\/div>\n    <script type=\"application\/javascript\">\n        \/\/ need to have the same with set from JS on both divs. Otherwise it can push stuff around in HTML\n        var trp_ls_shortcodes = document.querySelectorAll('.trp_language_switcher_shortcode .trp-language-switcher');\n        if ( trp_ls_shortcodes.length > 0) {\n            \/\/ get the last language switcher added\n            var trp_el = trp_ls_shortcodes[trp_ls_shortcodes.length - 1];\n\n            var trp_shortcode_language_item = trp_el.querySelector( '.trp-ls-shortcode-language' )\n            \/\/ set width\n            var trp_ls_shortcode_width                                               = trp_shortcode_language_item.offsetWidth + 16;\n            trp_shortcode_language_item.style.width                                  = trp_ls_shortcode_width + 'px';\n            trp_el.querySelector( '.trp-ls-shortcode-current-language' ).style.width = trp_ls_shortcode_width + 'px';\n\n            \/\/ We're putting this on display: none after we have its width.\n            trp_shortcode_language_item.style.display = 'none';\n        }\n    <\/script>\n<\/div>\n<\/div>\n\n\n\n<h3 class=\"wp-block-heading\"><strong>Rayonnement sonore au sol<\/strong><\/h3>\n\n\n\n<p>Commen\u00e7ons par rappeler quelques principes fondamentaux de la physique du son. Tout d'abord, il faut rappeler ce que signifie \u00ab espace de rayonnement \u00bb : c'est le volume dans lequel une enceinte rayonne le son. Dans les basses fr\u00e9quences (g\u00e9n\u00e9ralement en dessous de 200 Hz), o\u00f9 le rayonnement sonore est omnidirectionnel, le niveau sonore augmente lorsque des parois solides, ou un plancher, limitent l'espace de rayonnement. Ainsi, une enceinte dont la r\u00e9ponse en fr\u00e9quence est lin\u00e9aire en dessous de 200 Hz en champ libre produira un niveau sonore sup\u00e9rieur de 6 dB dans les basses fr\u00e9quences lorsqu'elle est plac\u00e9e au sol !<\/p>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter size-large\"><img decoding=\"async\" width=\"927\" height=\"665\" src=\"https:\/\/blogs.qsc.com\/app\/uploads\/sites\/3\/2020\/07\/1.-QSC-Blog_Fig-1_Radiation-space-for-Floor-Monitor-1.png\" alt=\"\" class=\"wp-image-2486\" srcset=\"https:\/\/blogs.qsc.com\/app\/uploads\/sites\/3\/2020\/07\/1.-QSC-Blog_Fig-1_Radiation-space-for-Floor-Monitor-1.png 927w, https:\/\/blogs.qsc.com\/app\/uploads\/sites\/3\/2020\/07\/1.-QSC-Blog_Fig-1_Radiation-space-for-Floor-Monitor-1-300x215.png 300w, https:\/\/blogs.qsc.com\/app\/uploads\/sites\/3\/2020\/07\/1.-QSC-Blog_Fig-1_Radiation-space-for-Floor-Monitor-1-768x551.png 768w, https:\/\/blogs.qsc.com\/app\/uploads\/sites\/3\/2020\/07\/1.-QSC-Blog_Fig-1_Radiation-space-for-Floor-Monitor-1-250x179.png 250w, https:\/\/blogs.qsc.com\/app\/uploads\/sites\/3\/2020\/07\/1.-QSC-Blog_Fig-1_Radiation-space-for-Floor-Monitor-1-550x395.png 550w, https:\/\/blogs.qsc.com\/app\/uploads\/sites\/3\/2020\/07\/1.-QSC-Blog_Fig-1_Radiation-space-for-Floor-Monitor-1-800x574.png 800w, https:\/\/blogs.qsc.com\/app\/uploads\/sites\/3\/2020\/07\/1.-QSC-Blog_Fig-1_Radiation-space-for-Floor-Monitor-1-251x180.png 251w, https:\/\/blogs.qsc.com\/app\/uploads\/sites\/3\/2020\/07\/1.-QSC-Blog_Fig-1_Radiation-space-for-Floor-Monitor-1-418x300.png 418w, https:\/\/blogs.qsc.com\/app\/uploads\/sites\/3\/2020\/07\/1.-QSC-Blog_Fig-1_Radiation-space-for-Floor-Monitor-1-697x500.png 697w, https:\/\/blogs.qsc.com\/app\/uploads\/sites\/3\/2020\/07\/1.-QSC-Blog_Fig-1_Radiation-space-for-Floor-Monitor-1-210x150.png 210w\" sizes=\"(max-width: 927px) 100vw, 927px\" \/><figcaption>Illustration 1. \u2013 L'espace de rayonnement d\u00e9finit le volume dans lequel l\u2019enceinte rayonne le son. Une modification de l'espace de rayonnement affectera le niveau de sortie de l\u2019enceinte en dessous de 200 Hz.<\/figcaption><\/figure><\/div>\n\n\n\n<h3 class=\"wp-block-heading\"><strong>Ajustez vos retours de sc\u00e8ne<\/strong><\/h3>\n\n\n\n<p>Lorsque vous installez des enceintes en retours de sc\u00e8ne, que pouvez-vous faire \u00e0 ce sujet ? Les enceintes actives QSC des S\u00e9ries K.2 et CP disposent d'un certain nombre de pr\u00e9r\u00e9glages pour les applications les plus courantes, notamment un pr\u00e9r\u00e9glage de retour de sc\u00e8ne au sol ou sur sc\u00e8ne. Ces pr\u00e9r\u00e9glages r\u00e9duisent pr\u00e9cis\u00e9ment le niveau de sortie dans les basses afin de conserver une reproduction des basses claire, pr\u00e9cise et percutante. N\u2019oubliez pas que des niveaux de basses fr\u00e9quences excessifs auront tendance \u00e0 renforcer certaines notes graves, \u00e0 engendrer des r\u00e9sonances et \u00e0 fournir une reproduction audio confuse, sans v\u00e9ritable d\u00e9finition dynamique.<\/p>\n\n\n\n<p class=\"translation-block\">Let\u2019s take a closer look now at both loudspeaker series. <a href=\"https:\/\/www.qsc.com\/es\/sonido-en-vivo\/productos\/altavoces\/altavoces-amplificados\/serie-cp\/cp8\/\" target=\"_self\">CP8<\/a> and <a href=\"https:\/\/www.qsc.com\/es\/sonido-en-vivo\/productos\/altavoces\/altavoces-amplificados\/serie-cp\/cp12\/\" target=\"_self\">CP12<\/a> <strong>Floor Monitor <\/strong>Preset provides, on both inputs A and B, a voicing for a full, balanced sound but reducing, at the same time, as much low frequency as possible to provide added stability when live microphones are nearby.<\/p>\n\n\n\n<p><\/p>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter size-large\"><img decoding=\"async\" width=\"736\" height=\"218\" src=\"https:\/\/blogs.qsc.com\/app\/uploads\/sites\/3\/2020\/07\/2.-QSC-Blog-Fig-2_CP12_Rearview.jpg\" alt=\"\" class=\"wp-image-2441\" srcset=\"https:\/\/blogs.qsc.com\/app\/uploads\/sites\/3\/2020\/07\/2.-QSC-Blog-Fig-2_CP12_Rearview.jpg 736w, https:\/\/blogs.qsc.com\/app\/uploads\/sites\/3\/2020\/07\/2.-QSC-Blog-Fig-2_CP12_Rearview-300x89.jpg 300w, https:\/\/blogs.qsc.com\/app\/uploads\/sites\/3\/2020\/07\/2.-QSC-Blog-Fig-2_CP12_Rearview-250x74.jpg 250w, https:\/\/blogs.qsc.com\/app\/uploads\/sites\/3\/2020\/07\/2.-QSC-Blog-Fig-2_CP12_Rearview-550x163.jpg 550w, https:\/\/blogs.qsc.com\/app\/uploads\/sites\/3\/2020\/07\/2.-QSC-Blog-Fig-2_CP12_Rearview-608x180.jpg 608w\" sizes=\"(max-width: 736px) 100vw, 736px\" \/><figcaption>Illustration 2. \u2013 Les enceintes actives compactes S\u00e9rie CP poss\u00e8dent six pr\u00e9r\u00e9glages de traitement num\u00e9rique du signal, y compris un contour d\u2019\u00e9galisation Floor Monitor.<\/figcaption><\/figure><\/div>\n\n\n\n<p class=\"translation-block\">En observant les trois mod\u00e8les S\u00e9rie K.2 de QSC et leurs onze pr\u00e9r\u00e9glages diff\u00e9rents, vous remarquerez qu'ils disposent de deux contours d\u2019\u00e9galisation Stage Monitor diff\u00e9rents.<\/p>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter size-large\"><img decoding=\"async\" width=\"1024\" height=\"325\" src=\"https:\/\/blogs.qsc.com\/app\/uploads\/sites\/3\/2020\/07\/3.-QSC-Blog_Fig-3_K.2-Series-Presets-1024x325.png\" alt=\"\" class=\"wp-image-2436\" srcset=\"https:\/\/blogs.qsc.com\/app\/uploads\/sites\/3\/2020\/07\/3.-QSC-Blog_Fig-3_K.2-Series-Presets-1024x325.png 1024w, https:\/\/blogs.qsc.com\/app\/uploads\/sites\/3\/2020\/07\/3.-QSC-Blog_Fig-3_K.2-Series-Presets-300x95.png 300w, https:\/\/blogs.qsc.com\/app\/uploads\/sites\/3\/2020\/07\/3.-QSC-Blog_Fig-3_K.2-Series-Presets-768x244.png 768w, https:\/\/blogs.qsc.com\/app\/uploads\/sites\/3\/2020\/07\/3.-QSC-Blog_Fig-3_K.2-Series-Presets-250x79.png 250w, https:\/\/blogs.qsc.com\/app\/uploads\/sites\/3\/2020\/07\/3.-QSC-Blog_Fig-3_K.2-Series-Presets-550x175.png 550w, https:\/\/blogs.qsc.com\/app\/uploads\/sites\/3\/2020\/07\/3.-QSC-Blog_Fig-3_K.2-Series-Presets-800x254.png 800w, https:\/\/blogs.qsc.com\/app\/uploads\/sites\/3\/2020\/07\/3.-QSC-Blog_Fig-3_K.2-Series-Presets-567x180.png 567w, https:\/\/blogs.qsc.com\/app\/uploads\/sites\/3\/2020\/07\/3.-QSC-Blog_Fig-3_K.2-Series-Presets-945x300.png 945w, https:\/\/blogs.qsc.com\/app\/uploads\/sites\/3\/2020\/07\/3.-QSC-Blog_Fig-3_K.2-Series-Presets.png 1481w\" sizes=\"(max-width: 1024px) 100vw, 1024px\" \/><figcaption>Illustration 3. \u2013 Les enceintes actives S\u00e9rie K.2 QSC poss\u00e8dent onze pr\u00e9r\u00e9glages de traitement num\u00e9rique du signal, y compris deux contours d\u2019\u00e9galisation Stage Monitor.<\/figcaption><\/figure><\/div>\n\n\n\n<p class=\"translation-block\">Le pr\u00e9r\u00e9glage <strong>Stage Monitor 1 <\/strong>doit \u00e9videmment \u00eatre utilis\u00e9 pour r\u00e9duire l'accumulation excessive de basses sur sc\u00e8ne. Il est aussi particuli\u00e8rement adapt\u00e9 aux voix, aux instruments acoustiques, aux percussions \u00e0 main, etc., car il permet d'att\u00e9nuer efficacement les basses.<\/p>\n\n\n\n<p class=\"translation-block\">D'un autre c\u00f4t\u00e9, le pr\u00e9r\u00e9glage <strong>Stage Monitor 2 <\/strong>applique une att\u00e9nuation moindre dans les basses et, par cons\u00e9quent, doit \u00eatre s\u00e9lectionn\u00e9 lorsqu'une reproduction tr\u00e8s pr\u00e9cise des basses fr\u00e9quences est n\u00e9cessaire, comme avec les claviers, la batterie, les guitares basses et tout autre instrument ou source reproduisant un large spectre de basses fr\u00e9quences.<\/p>\n\n\n\n<p>Ainsi, la prochaine fois que vous serez sur sc\u00e8ne avec des enceintes actives QSC configur\u00e9es comme retours de sc\u00e8ne, n'oubliez pas de s\u00e9lectionner le tr\u00e8s pratique pr\u00e9r\u00e9glage Floor Monitor !<\/p>","protected":false},"excerpt":{"rendered":"<p>Commen\u00e7ons par rappeler quelques principes fondamentaux de la physique du son. Tout d'abord, il faut rappeler ce que signifie \u00ab espace de rayonnement \u00bb : c'est le volume dans lequel une enceinte rayonne le son. Dans les basses fr\u00e9quences (g\u00e9n\u00e9ralement en dessous de 200 Hz), o\u00f9 le rayonnement sonore est omnidirectionnel, le niveau sonore augmente... <a href=\"https:\/\/blogs.qsc.com\/live-sound\/fr\/pourquoi-et-comment-utiliser-correctement-les-prereglages-de-retour-de-scene\/\">Read More<\/a><\/p>","protected":false},"author":29,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[7,83,18,79,14,63,25,65,19],"tags":[109,117,116,113,114,160,107,70,118,119,66,120,112,115],"class_list":["post-2433","post","type-post","status-publish","format-standard","hentry","category-av-rental-presentation","category-cp-series","category-djs-dance","category-educational","category-events","category-house-of-worship","category-k-family","category-k-2-series","category-musicians-bands","tag-cp-series","tag-cp12","tag-cp8","tag-english","tag-floor-monitor","tag-french","tag-german","tag-k-2-series","tag-k10-2","tag-k12-2","tag-k8-2","tag-presets","tag-spanish","tag-stage-monitor"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v24.9 - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>Why and How to correctly use Floor Monitor Presets - Blog | Resources<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/blogs.qsc.com\/live-sound\/fr\/why-and-how-to-correctly-use-floor-monitor-presets\/\" \/>\n<meta property=\"og:locale\" content=\"fr_FR\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Why and How to correctly use Floor Monitor Presets - Blog | Resources\" \/>\n<meta property=\"og:description\" content=\"Sound Radiation from the Floor Let\u2019s start by recalling some fundamentals in the physics of sound. First, we should remember what \u2018radiation space\u2019 means: it is the volume into which a loudspeaker is radiating sound. Now, at low frequency (typically below 200 Hz), where the sound radiation is omnidirectional, the sound level increases when hard &hellip; Read More\" \/>\n<meta property=\"og:url\" content=\"https:\/\/blogs.qsc.com\/live-sound\/fr\/why-and-how-to-correctly-use-floor-monitor-presets\/\" \/>\n<meta property=\"og:site_name\" content=\"Blog | Resources\" \/>\n<meta property=\"article:published_time\" content=\"2020-07-22T04:47:08+00:00\" \/>\n<meta property=\"article:modified_time\" content=\"2020-10-29T10:53:16+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/blogs.qsc.com\/app\/uploads\/sites\/3\/2020\/07\/1.-QSC-Blog_Fig-1_Radiation-space-for-Floor-Monitor-1.png\" \/>\n<meta name=\"author\" content=\"Christophe Anet\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:label1\" content=\"Written by\" \/>\n\t<meta name=\"twitter:data1\" content=\"Christophe Anet\" \/>\n\t<meta name=\"twitter:label2\" content=\"Est. reading time\" \/>\n\t<meta name=\"twitter:data2\" content=\"2 minutes\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\/\/schema.org\",\"@graph\":[{\"@type\":\"WebPage\",\"@id\":\"https:\/\/blogs.qsc.com\/live-sound\/why-and-how-to-correctly-use-floor-monitor-presets\/\",\"url\":\"https:\/\/blogs.qsc.com\/live-sound\/why-and-how-to-correctly-use-floor-monitor-presets\/\",\"name\":\"Why and How to correctly use Floor Monitor Presets - Blog | Resources\",\"isPartOf\":{\"@id\":\"https:\/\/blogs.qsc.com\/live-sound\/#website\"},\"primaryImageOfPage\":{\"@id\":\"https:\/\/blogs.qsc.com\/live-sound\/why-and-how-to-correctly-use-floor-monitor-presets\/#primaryimage\"},\"image\":{\"@id\":\"https:\/\/blogs.qsc.com\/live-sound\/why-and-how-to-correctly-use-floor-monitor-presets\/#primaryimage\"},\"thumbnailUrl\":\"https:\/\/blogs.qsc.com\/app\/uploads\/sites\/3\/2020\/07\/1.-QSC-Blog_Fig-1_Radiation-space-for-Floor-Monitor-1.png\",\"datePublished\":\"2020-07-22T04:47:08+00:00\",\"dateModified\":\"2020-10-29T10:53:16+00:00\",\"author\":{\"@id\":\"https:\/\/blogs.qsc.com\/live-sound\/#\/schema\/person\/a8866d0b07d2d57a44a4940d6e2dc4a0\"},\"breadcrumb\":{\"@id\":\"https:\/\/blogs.qsc.com\/live-sound\/why-and-how-to-correctly-use-floor-monitor-presets\/#breadcrumb\"},\"inLanguage\":\"fr-FR\",\"potentialAction\":[{\"@type\":\"ReadAction\",\"target\":[\"https:\/\/blogs.qsc.com\/live-sound\/why-and-how-to-correctly-use-floor-monitor-presets\/\"]}]},{\"@type\":\"ImageObject\",\"inLanguage\":\"fr-FR\",\"@id\":\"https:\/\/blogs.qsc.com\/live-sound\/why-and-how-to-correctly-use-floor-monitor-presets\/#primaryimage\",\"url\":\"https:\/\/blogs.qsc.com\/app\/uploads\/sites\/3\/2020\/07\/1.-QSC-Blog_Fig-1_Radiation-space-for-Floor-Monitor-1.png\",\"contentUrl\":\"https:\/\/blogs.qsc.com\/app\/uploads\/sites\/3\/2020\/07\/1.-QSC-Blog_Fig-1_Radiation-space-for-Floor-Monitor-1.png\"},{\"@type\":\"BreadcrumbList\",\"@id\":\"https:\/\/blogs.qsc.com\/live-sound\/why-and-how-to-correctly-use-floor-monitor-presets\/#breadcrumb\",\"itemListElement\":[{\"@type\":\"ListItem\",\"position\":1,\"name\":\"Home\",\"item\":\"https:\/\/blogs.qsc.com\/live-sound\/\"},{\"@type\":\"ListItem\",\"position\":2,\"name\":\"Why and How to correctly use Floor Monitor Presets\"}]},{\"@type\":\"WebSite\",\"@id\":\"https:\/\/blogs.qsc.com\/live-sound\/#website\",\"url\":\"https:\/\/blogs.qsc.com\/live-sound\/\",\"name\":\"Blog | Resources\",\"description\":\"QSC\",\"potentialAction\":[{\"@type\":\"SearchAction\",\"target\":{\"@type\":\"EntryPoint\",\"urlTemplate\":\"https:\/\/blogs.qsc.com\/live-sound\/?s={search_term_string}\"},\"query-input\":{\"@type\":\"PropertyValueSpecification\",\"valueRequired\":true,\"valueName\":\"search_term_string\"}}],\"inLanguage\":\"fr-FR\"},{\"@type\":\"Person\",\"@id\":\"https:\/\/blogs.qsc.com\/live-sound\/#\/schema\/person\/a8866d0b07d2d57a44a4940d6e2dc4a0\",\"name\":\"Christophe Anet\",\"image\":{\"@type\":\"ImageObject\",\"inLanguage\":\"fr-FR\",\"@id\":\"https:\/\/blogs.qsc.com\/live-sound\/#\/schema\/person\/image\/\",\"url\":\"https:\/\/secure.gravatar.com\/avatar\/c8477b4735e81f241edc3cc5da4d26cba5c0f45cabc80bb23e9ab99ff47335da?s=96&d=mm&r=g\",\"contentUrl\":\"https:\/\/secure.gravatar.com\/avatar\/c8477b4735e81f241edc3cc5da4d26cba5c0f45cabc80bb23e9ab99ff47335da?s=96&d=mm&r=g\",\"caption\":\"Christophe Anet\"},\"description\":\"Christophe Anet is an electroacoustics engineer and live sound professional. Over the years, his passion for acoustics led him to design recording studios, lecture about psycho-acoustics and calibrate recording studio control rooms around the world. When not playing guitar, you can find him either rock climbing in the Swiss Alps or painting landscape watercolors in the wilderness.\",\"url\":\"https:\/\/blogs.qsc.com\/live-sound\/fr\/author\/canet\/\"}]}<\/script>\n<!-- \/ Yoast SEO plugin. -->","yoast_head_json":{"title":"Why and How to correctly use Floor Monitor Presets - Blog | Resources","robots":{"index":"index","follow":"follow","max-snippet":"max-snippet:-1","max-image-preview":"max-image-preview:large","max-video-preview":"max-video-preview:-1"},"canonical":"https:\/\/blogs.qsc.com\/live-sound\/fr\/why-and-how-to-correctly-use-floor-monitor-presets\/","og_locale":"fr_FR","og_type":"article","og_title":"Why and How to correctly use Floor Monitor Presets - Blog | Resources","og_description":"Sound Radiation from the Floor Let\u2019s start by recalling some fundamentals in the physics of sound. First, we should remember what \u2018radiation space\u2019 means: it is the volume into which a loudspeaker is radiating sound. Now, at low frequency (typically below 200 Hz), where the sound radiation is omnidirectional, the sound level increases when hard &hellip; Read More","og_url":"https:\/\/blogs.qsc.com\/live-sound\/fr\/why-and-how-to-correctly-use-floor-monitor-presets\/","og_site_name":"Blog | Resources","article_published_time":"2020-07-22T04:47:08+00:00","article_modified_time":"2020-10-29T10:53:16+00:00","og_image":[{"url":"https:\/\/blogs.qsc.com\/app\/uploads\/sites\/3\/2020\/07\/1.-QSC-Blog_Fig-1_Radiation-space-for-Floor-Monitor-1.png","type":"","width":"","height":""}],"author":"Christophe Anet","twitter_card":"summary_large_image","twitter_misc":{"Written by":"Christophe Anet","Est. reading time":"2 minutes"},"schema":{"@context":"https:\/\/schema.org","@graph":[{"@type":"WebPage","@id":"https:\/\/blogs.qsc.com\/live-sound\/why-and-how-to-correctly-use-floor-monitor-presets\/","url":"https:\/\/blogs.qsc.com\/live-sound\/why-and-how-to-correctly-use-floor-monitor-presets\/","name":"Why and How to correctly use Floor Monitor Presets - Blog | Resources","isPartOf":{"@id":"https:\/\/blogs.qsc.com\/live-sound\/#website"},"primaryImageOfPage":{"@id":"https:\/\/blogs.qsc.com\/live-sound\/why-and-how-to-correctly-use-floor-monitor-presets\/#primaryimage"},"image":{"@id":"https:\/\/blogs.qsc.com\/live-sound\/why-and-how-to-correctly-use-floor-monitor-presets\/#primaryimage"},"thumbnailUrl":"https:\/\/blogs.qsc.com\/app\/uploads\/sites\/3\/2020\/07\/1.-QSC-Blog_Fig-1_Radiation-space-for-Floor-Monitor-1.png","datePublished":"2020-07-22T04:47:08+00:00","dateModified":"2020-10-29T10:53:16+00:00","author":{"@id":"https:\/\/blogs.qsc.com\/live-sound\/#\/schema\/person\/a8866d0b07d2d57a44a4940d6e2dc4a0"},"breadcrumb":{"@id":"https:\/\/blogs.qsc.com\/live-sound\/why-and-how-to-correctly-use-floor-monitor-presets\/#breadcrumb"},"inLanguage":"fr-FR","potentialAction":[{"@type":"ReadAction","target":["https:\/\/blogs.qsc.com\/live-sound\/why-and-how-to-correctly-use-floor-monitor-presets\/"]}]},{"@type":"ImageObject","inLanguage":"fr-FR","@id":"https:\/\/blogs.qsc.com\/live-sound\/why-and-how-to-correctly-use-floor-monitor-presets\/#primaryimage","url":"https:\/\/blogs.qsc.com\/app\/uploads\/sites\/3\/2020\/07\/1.-QSC-Blog_Fig-1_Radiation-space-for-Floor-Monitor-1.png","contentUrl":"https:\/\/blogs.qsc.com\/app\/uploads\/sites\/3\/2020\/07\/1.-QSC-Blog_Fig-1_Radiation-space-for-Floor-Monitor-1.png"},{"@type":"BreadcrumbList","@id":"https:\/\/blogs.qsc.com\/live-sound\/why-and-how-to-correctly-use-floor-monitor-presets\/#breadcrumb","itemListElement":[{"@type":"ListItem","position":1,"name":"Home","item":"https:\/\/blogs.qsc.com\/live-sound\/"},{"@type":"ListItem","position":2,"name":"Why and How to correctly use Floor Monitor Presets"}]},{"@type":"WebSite","@id":"https:\/\/blogs.qsc.com\/live-sound\/#website","url":"https:\/\/blogs.qsc.com\/live-sound\/","name":"Blog | Resources","description":"QSC","potentialAction":[{"@type":"SearchAction","target":{"@type":"EntryPoint","urlTemplate":"https:\/\/blogs.qsc.com\/live-sound\/?s={search_term_string}"},"query-input":{"@type":"PropertyValueSpecification","valueRequired":true,"valueName":"search_term_string"}}],"inLanguage":"fr-FR"},{"@type":"Person","@id":"https:\/\/blogs.qsc.com\/live-sound\/#\/schema\/person\/a8866d0b07d2d57a44a4940d6e2dc4a0","name":"Christophe Anet","image":{"@type":"ImageObject","inLanguage":"fr-FR","@id":"https:\/\/blogs.qsc.com\/live-sound\/#\/schema\/person\/image\/","url":"https:\/\/secure.gravatar.com\/avatar\/c8477b4735e81f241edc3cc5da4d26cba5c0f45cabc80bb23e9ab99ff47335da?s=96&d=mm&r=g","contentUrl":"https:\/\/secure.gravatar.com\/avatar\/c8477b4735e81f241edc3cc5da4d26cba5c0f45cabc80bb23e9ab99ff47335da?s=96&d=mm&r=g","caption":"Christophe Anet"},"description":"Christophe Anet is an electroacoustics engineer and live sound professional. Over the years, his passion for acoustics led him to design recording studios, lecture about psycho-acoustics and calibrate recording studio control rooms around the world. When not playing guitar, you can find him either rock climbing in the Swiss Alps or painting landscape watercolors in the wilderness.","url":"https:\/\/blogs.qsc.com\/live-sound\/fr\/author\/canet\/"}]}},"_links":{"self":[{"href":"https:\/\/blogs.qsc.com\/live-sound\/fr\/wp-json\/wp\/v2\/posts\/2433","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/blogs.qsc.com\/live-sound\/fr\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/blogs.qsc.com\/live-sound\/fr\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/blogs.qsc.com\/live-sound\/fr\/wp-json\/wp\/v2\/users\/29"}],"replies":[{"embeddable":true,"href":"https:\/\/blogs.qsc.com\/live-sound\/fr\/wp-json\/wp\/v2\/comments?post=2433"}],"version-history":[{"count":0,"href":"https:\/\/blogs.qsc.com\/live-sound\/fr\/wp-json\/wp\/v2\/posts\/2433\/revisions"}],"wp:attachment":[{"href":"https:\/\/blogs.qsc.com\/live-sound\/fr\/wp-json\/wp\/v2\/media?parent=2433"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/blogs.qsc.com\/live-sound\/fr\/wp-json\/wp\/v2\/categories?post=2433"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/blogs.qsc.com\/live-sound\/fr\/wp-json\/wp\/v2\/tags?post=2433"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}