{"id":2508,"date":"2020-09-22T06:04:08","date_gmt":"2020-09-22T06:04:08","guid":{"rendered":"https:\/\/blogs.qsc.com\/live-sound\/?p=2508"},"modified":"2020-10-28T14:30:11","modified_gmt":"2020-10-28T14:30:11","slug":"how-many-active-loudspeakers-can-you-daisy-chain","status":"publish","type":"post","link":"https:\/\/blogs.qsc.com\/live-sound\/fr\/combien-denceintes-peut-on-connecter-en-chaine\/","title":{"rendered":"Combien d\u2019enceintes peut-on connecter en cha\u00eene ?"},"content":{"rendered":"<div class=\"trp_language_switcher_shortcode\">\n<div class=\"trp-language-switcher trp-language-switcher-container\" data-no-translation>\n    <div class=\"trp-ls-shortcode-current-language\">\n        <a href=\"#\" class=\"trp-ls-shortcode-disabled-language trp-ls-disabled-language\" title=\"Fran\u00e7ais\" onclick=\"event.preventDefault()\">\n\t\t\t Fran\u00e7ais\t\t<\/a>\n    <\/div>\n    <div class=\"trp-ls-shortcode-language\">\n                <a href=\"#\" class=\"trp-ls-shortcode-disabled-language trp-ls-disabled-language\"  title=\"Fran\u00e7ais\" onclick=\"event.preventDefault()\">\n\t\t\t Fran\u00e7ais\t\t<\/a>\n                    <a href=\"https:\/\/blogs.qsc.com\/live-sound\/fr\/wp-json\/wp\/v2\/posts\/2508\" title=\"English\">\n             English        <\/a>\n\n            <a href=\"https:\/\/blogs.qsc.com\/live-sound\/fr\/wp-json\/wp\/v2\/posts\/2508\" title=\"Deutsch\">\n             Deutsch        <\/a>\n\n            <a href=\"https:\/\/blogs.qsc.com\/live-sound\/fr\/wp-json\/wp\/v2\/posts\/2508\" title=\"Espa\u00f1ol de M\u00e9xico\">\n             Espa\u00f1ol de M\u00e9xico        <\/a>\n\n        <\/div>\n    <script type=\"application\/javascript\">\n        \/\/ need to have the same with set from JS on both divs. Otherwise it can push stuff around in HTML\n        var trp_ls_shortcodes = document.querySelectorAll('.trp_language_switcher_shortcode .trp-language-switcher');\n        if ( trp_ls_shortcodes.length > 0) {\n            \/\/ get the last language switcher added\n            var trp_el = trp_ls_shortcodes[trp_ls_shortcodes.length - 1];\n\n            var trp_shortcode_language_item = trp_el.querySelector( '.trp-ls-shortcode-language' )\n            \/\/ set width\n            var trp_ls_shortcode_width                                               = trp_shortcode_language_item.offsetWidth + 16;\n            trp_shortcode_language_item.style.width                                  = trp_ls_shortcode_width + 'px';\n            trp_el.querySelector( '.trp-ls-shortcode-current-language' ).style.width = trp_ls_shortcode_width + 'px';\n\n            \/\/ We're putting this on display: none after we have its width.\n            trp_shortcode_language_item.style.display = 'none';\n        }\n    <\/script>\n<\/div>\n<\/div>\n\n\n\n<p>Dans de nombreuses applications de location ou d\u2019installation fixe de mat\u00e9riel audiovisuel, il peut \u00eatre n\u00e9cessaire de mettre en place un certain nombre d\u2019enceintes qui diffuseront toutes le m\u00eame contenu audio. L\u2019impl\u00e9mentation la plus simple consiste \u00e0 connecter en cha\u00eene (cascade) un certain nombre d\u2019enceintes actives.<\/p>\n\n\n\n<p class=\"translation-block\">Les enceintes actives QSC disposent de deux types de sortie diff\u00e9rents. Tout d'abord, les S\u00e9rie<strong> K.2, KW et KLA<\/strong> de QSC disposent de sorties \u00ab Thru \u00bb ou parall\u00e8les (renvoi).  Celles-ci sont toujours les plus proches des entr\u00e9es et sont marqu\u00e9es par une fl\u00e8che qui relie l\u2019entr\u00e9e et la sortie. Ces sorties au niveau ligne sont directement c\u00e2bl\u00e9es \u00e0 leurs entr\u00e9es respectives. En termes simples, il s'agit de copies identiques de leurs entr\u00e9es respectives ; les signaux ne sont donc pas affect\u00e9s par les ajustements de gain effectu\u00e9s sur l\u2019enceinte. On parle alors de sorties \u00ab Pre-Gain \u00bb.<\/p>\n\n\n\n<p>Note : la S\u00e9rie KLA poss\u00e8de une seule sortie, et bien qu'elle soit simplement marqu\u00e9e \u00ab Line Out \u00bb, il s'agit en fait d'une sortie \u00ab Thru \u00bb de type \u00ab Pre-Gain \u00bb.<\/p>\n\n\n\n<p class=\"translation-block\">Le deuxi\u00e8me type de sorties est appel\u00e9 sortie \u00ab Mix \u00bb (ou \u00ab Line Out\/Post Gain \u00bb sur les anciens mod\u00e8les K et KW). Cette sortie au niveau ligne correspond \u00e0 un mix post-gain de tous les canaux d'entr\u00e9e (A, B et C). Tout ajustement apport\u00e9 au gain de l'un des trois canaux affecte ce signal Mix Out, qui est toujours exempt de tout traitement num\u00e9rique du signal. Les S\u00e9ries <strong>K.2, KW et CP <\/strong>de QSC poss\u00e8dent toutes cette sortie Mix Output.<\/p>\n\n\n\n<p>Voyons donc combien d\u2019enceintes actives on peut connecter en cha\u00eene en toute s\u00e9curit\u00e9, tout en conservant une qualit\u00e9 audio sans compromis :<\/p>\n\n\n\n<h3 class=\"wp-block-heading\">Sorties Thru :<\/h3>\n\n\n\n<p>Vous pouvez connecter un tr\u00e8s grand nombre d\u2019enceintes en cha\u00eene via la sortie \u00ab Thru \u00bb avant gain. Au bout de plusieurs dizaines d'unit\u00e9s en cascade interviendra une certaine perte de signal au niveau ligne, en fonction de la longueur de c\u00e2blage. Note : la S\u00e9rie CP ne propose pas de sortie \u00ab Thru \u00bb, mais seulement une sortie \u00ab Mix \u00bb.<\/p>\n\n\n\n<p><\/p>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter size-large\"><img decoding=\"async\" width=\"343\" height=\"600\" src=\"https:\/\/blogs.qsc.com\/app\/uploads\/sites\/3\/2020\/09\/TC1_Picture-1-1.png\" alt=\"\" class=\"wp-image-2520\" srcset=\"https:\/\/blogs.qsc.com\/app\/uploads\/sites\/3\/2020\/09\/TC1_Picture-1-1.png 343w, https:\/\/blogs.qsc.com\/app\/uploads\/sites\/3\/2020\/09\/TC1_Picture-1-1-172x300.png 172w, https:\/\/blogs.qsc.com\/app\/uploads\/sites\/3\/2020\/09\/TC1_Picture-1-1-250x437.png 250w, https:\/\/blogs.qsc.com\/app\/uploads\/sites\/3\/2020\/09\/TC1_Picture-1-1-103x180.png 103w, https:\/\/blogs.qsc.com\/app\/uploads\/sites\/3\/2020\/09\/TC1_Picture-1-1-286x500.png 286w\" sizes=\"(max-width: 343px) 100vw, 343px\" \/><\/figure><\/div>\n\n\n\n<h3 class=\"wp-block-heading\">Sortie Mix :<\/h3>\n\n\n\n<p>Sur toute sortie Mix post-gain, le passage par le circuit de gain se traduit toujours par l\u2019ajout d\u2019un faible bruit de fond, dont le niveau augmentera avec chaque enceinte suppl\u00e9mentaire connect\u00e9e en cha\u00eene. Il est recommand\u00e9 de ne pas connecter en cha\u00eene plus de 4 enceintes par leur sortie Mix Output. Comme les S\u00e9rie CP ne poss\u00e8dent qu\u2019une sortie Mix Output, la limite est de 4 unit\u00e9s.<\/p>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter size-large\"><img decoding=\"async\" width=\"343\" height=\"600\" src=\"https:\/\/blogs.qsc.com\/app\/uploads\/sites\/3\/2020\/09\/TC1_Picture-2.png\" alt=\"\" class=\"wp-image-2519\" srcset=\"https:\/\/blogs.qsc.com\/app\/uploads\/sites\/3\/2020\/09\/TC1_Picture-2.png 343w, https:\/\/blogs.qsc.com\/app\/uploads\/sites\/3\/2020\/09\/TC1_Picture-2-172x300.png 172w, https:\/\/blogs.qsc.com\/app\/uploads\/sites\/3\/2020\/09\/TC1_Picture-2-250x437.png 250w, https:\/\/blogs.qsc.com\/app\/uploads\/sites\/3\/2020\/09\/TC1_Picture-2-103x180.png 103w, https:\/\/blogs.qsc.com\/app\/uploads\/sites\/3\/2020\/09\/TC1_Picture-2-286x500.png 286w\" sizes=\"(max-width: 343px) 100vw, 343px\" \/><\/figure><\/div>\n\n\n\n<h3 class=\"wp-block-heading\">Cas d'emploi hybride :<\/h3>\n\n\n\n<p>Une pratique courante consiste \u00e0 utiliser la premi\u00e8re enceinte de la cha\u00eene comme \u00ab m\u00e9langeur \u00bb en utilisant sa sortie Mix, puis \u00e0 lui connecter en cha\u00eene un certain nombre d\u2019autres enceintes en utilisant leurs sorties \u00ab Thru \u00bb. Cette m\u00e9thode est parfaitement s\u00fbre et comme elle n'utilise qu'une seule sortie Mix, vous pouvez connecter \u00e0 la cha\u00eene plusieurs dizaines d'enceintes via leurs sorties \u00abThru \u00bb.<\/p>","protected":false},"excerpt":{"rendered":"<p>Dans de nombreuses applications de location ou d\u2019installation fixe de mat\u00e9riel audiovisuel, il peut \u00eatre n\u00e9cessaire de mettre en place un certain nombre d\u2019enceintes qui diffuseront toutes le m\u00eame contenu audio. L\u2019impl\u00e9mentation la plus simple consiste \u00e0 connecter en cha\u00eene (cascade) un certain nombre d\u2019enceintes actives... <a href=\"https:\/\/blogs.qsc.com\/live-sound\/fr\/combien-denceintes-peut-on-connecter-en-chaine\/\">Read More<\/a><\/p>","protected":false},"author":29,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[7,83,18,79,14,63,25,65,19],"tags":[145,109,113,160,107,147,148,146,112],"class_list":["post-2508","post","type-post","status-publish","format-standard","hentry","category-av-rental-presentation","category-cp-series","category-djs-dance","category-educational","category-events","category-house-of-worship","category-k-family","category-k-2-series","category-musicians-bands","tag-active-loudspeakers","tag-cp-series","tag-english","tag-french","tag-german","tag-k-2-series-kw-series","tag-kla-series","tag-loudspeakers","tag-spanish"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v24.9 - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>How many Active Loudspeakers can you Daisy-Chain - Blog | Resources<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/blogs.qsc.com\/live-sound\/fr\/how-many-active-loudspeakers-can-you-daisy-chain\/\" \/>\n<meta property=\"og:locale\" content=\"fr_FR\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"How many Active Loudspeakers can you Daisy-Chain - Blog | Resources\" \/>\n<meta property=\"og:description\" content=\"In many AV rental or fixed installation applications, there may be the need to set up a number of loudspeakers that will all play the same audio content. 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Over the years, his passion for acoustics led him to design recording studios, lecture about psycho-acoustics and calibrate recording studio control rooms around the world. 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