{"id":2433,"date":"2020-07-22T04:47:08","date_gmt":"2020-07-22T04:47:08","guid":{"rendered":"https:\/\/blogs.qsc.com\/live-sound\/?p=2433"},"modified":"2020-10-29T10:53:16","modified_gmt":"2020-10-29T10:53:16","slug":"why-and-how-to-correctly-use-floor-monitor-presets","status":"publish","type":"post","link":"https:\/\/blogs.qsc.com\/live-sound\/why-and-how-to-correctly-use-floor-monitor-presets\/","title":{"rendered":"Why and How to correctly use Floor Monitor Presets"},"content":{"rendered":"<div class=\"trp_language_switcher_shortcode\">\n<div class=\"trp-language-switcher trp-language-switcher-container\" data-no-translation >\n    <div class=\"trp-ls-shortcode-current-language\">\n        <a href=\"#\" class=\"trp-ls-shortcode-disabled-language trp-ls-disabled-language\" title=\"English\" onclick=\"event.preventDefault()\">\n\t\t\t English\t\t<\/a>\n    <\/div>\n    <div class=\"trp-ls-shortcode-language\">\n                <a href=\"#\" class=\"trp-ls-shortcode-disabled-language trp-ls-disabled-language\"  title=\"English\" onclick=\"event.preventDefault()\">\n\t\t\t English\t\t<\/a>\n                    <a href=\"https:\/\/blogs.qsc.com\/live-sound\/wp-json\/wp\/v2\/posts\/2433\" title=\"Deutsch\">\n             Deutsch        <\/a>\n\n            <a href=\"https:\/\/blogs.qsc.com\/live-sound\/wp-json\/wp\/v2\/posts\/2433\" title=\"Espa\u00f1ol de M\u00e9xico\">\n             Espa\u00f1ol de M\u00e9xico        <\/a>\n\n            <a href=\"https:\/\/blogs.qsc.com\/live-sound\/wp-json\/wp\/v2\/posts\/2433\" title=\"Fran\u00e7ais\">\n             Fran\u00e7ais        <\/a>\n\n        <\/div>\n    <script type=\"application\/javascript\">\n        \/\/ need to have the same with set from JS on both divs. Otherwise it can push stuff around in HTML\n        var trp_ls_shortcodes = document.querySelectorAll('.trp_language_switcher_shortcode .trp-language-switcher');\n        if ( trp_ls_shortcodes.length > 0) {\n            \/\/ get the last language switcher added\n            var trp_el = trp_ls_shortcodes[trp_ls_shortcodes.length - 1];\n\n            var trp_shortcode_language_item = trp_el.querySelector( '.trp-ls-shortcode-language' )\n            \/\/ set width\n            var trp_ls_shortcode_width                                               = trp_shortcode_language_item.offsetWidth + 16;\n            trp_shortcode_language_item.style.width                                  = trp_ls_shortcode_width + 'px';\n            trp_el.querySelector( '.trp-ls-shortcode-current-language' ).style.width = trp_ls_shortcode_width + 'px';\n\n            \/\/ We're putting this on display: none after we have its width.\n            trp_shortcode_language_item.style.display = 'none';\n        }\n    <\/script>\n<\/div>\n<\/div>\n\n\n\n<h3 class=\"wp-block-heading\"><strong>Sound Radiation from the Floor<\/strong><\/h3>\n\n\n\n<p>Let\u2019s start by recalling some fundamentals in the physics of sound. First, we should remember what \u2018radiation space\u2019 means: it is the volume into which a loudspeaker is radiating sound. Now, at low frequency (typically below 200 Hz), where the sound radiation is omnidirectional, the sound level increases when hard walls, or a floor, limit the radiation space. Hence, a loudspeaker with a typically flat frequency response below 200 Hz in free space will produces up to 6 dB higher sound level at low frequencies when placed on the floor!<\/p>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter size-large\"><img decoding=\"async\" width=\"927\" height=\"665\" src=\"https:\/\/blogs.qsc.com\/app\/uploads\/sites\/3\/2020\/07\/1.-QSC-Blog_Fig-1_Radiation-space-for-Floor-Monitor-1.png\" alt=\"\" class=\"wp-image-2486\" srcset=\"https:\/\/blogs.qsc.com\/app\/uploads\/sites\/3\/2020\/07\/1.-QSC-Blog_Fig-1_Radiation-space-for-Floor-Monitor-1.png 927w, https:\/\/blogs.qsc.com\/app\/uploads\/sites\/3\/2020\/07\/1.-QSC-Blog_Fig-1_Radiation-space-for-Floor-Monitor-1-300x215.png 300w, https:\/\/blogs.qsc.com\/app\/uploads\/sites\/3\/2020\/07\/1.-QSC-Blog_Fig-1_Radiation-space-for-Floor-Monitor-1-768x551.png 768w, https:\/\/blogs.qsc.com\/app\/uploads\/sites\/3\/2020\/07\/1.-QSC-Blog_Fig-1_Radiation-space-for-Floor-Monitor-1-250x179.png 250w, https:\/\/blogs.qsc.com\/app\/uploads\/sites\/3\/2020\/07\/1.-QSC-Blog_Fig-1_Radiation-space-for-Floor-Monitor-1-550x395.png 550w, https:\/\/blogs.qsc.com\/app\/uploads\/sites\/3\/2020\/07\/1.-QSC-Blog_Fig-1_Radiation-space-for-Floor-Monitor-1-800x574.png 800w, https:\/\/blogs.qsc.com\/app\/uploads\/sites\/3\/2020\/07\/1.-QSC-Blog_Fig-1_Radiation-space-for-Floor-Monitor-1-251x180.png 251w, https:\/\/blogs.qsc.com\/app\/uploads\/sites\/3\/2020\/07\/1.-QSC-Blog_Fig-1_Radiation-space-for-Floor-Monitor-1-418x300.png 418w, https:\/\/blogs.qsc.com\/app\/uploads\/sites\/3\/2020\/07\/1.-QSC-Blog_Fig-1_Radiation-space-for-Floor-Monitor-1-697x500.png 697w, https:\/\/blogs.qsc.com\/app\/uploads\/sites\/3\/2020\/07\/1.-QSC-Blog_Fig-1_Radiation-space-for-Floor-Monitor-1-210x150.png 210w\" sizes=\"(max-width: 927px) 100vw, 927px\" \/><figcaption>Figure 1. \u2013 Radiation space defines the volume into which the loudspeaker is radiating sound. A change in radiation space will affect the loudspeaker\u2019s output below 200 Hz.<\/figcaption><\/figure><\/div>\n\n\n\n<h3 class=\"wp-block-heading\"><strong>Adjust Your Floor Monitors<\/strong><\/h3>\n\n\n\n<p>So, as you setup loudspeakers as floor monitors, what can you do about this fact? Well, both QSC K.2 and CP Series active loudspeakers feature a number of Presets for commonly used applications, including a Floor, or Stage, Monitor Preset. These Presets apply precisely the appropriate bass level output reduction in order to maintain a clear, tight and punchy bass reproduction. Remember that excessive low frequency levels will tend to reinforce certain bass notes, create some resonances and provide a muddy audio reproduction with undefined dynamics.<\/p>\n\n\n\n<p>Let\u2019s take a closer look now at both loudspeaker series. <a href=\"https:\/\/www.qsc.com\/live-sound\/products\/loudspeakers\/powered-loudspeakers\/cp-series\/cp8\/\">CP8<\/a> and <a href=\"https:\/\/www.qsc.com\/live-sound\/products\/loudspeakers\/powered-loudspeakers\/cp-series\/cp12\/\">CP12<\/a> <strong>Floor Monitor <\/strong>Preset provides, on both inputs A and B, a voicing for a full, balanced sound but reducing, at the same time, as much low frequency as possible to provide added stability when live microphones are nearby.<\/p>\n\n\n\n<p><\/p>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter size-large\"><img decoding=\"async\" width=\"736\" height=\"218\" src=\"https:\/\/blogs.qsc.com\/app\/uploads\/sites\/3\/2020\/07\/2.-QSC-Blog-Fig-2_CP12_Rearview.jpg\" alt=\"\" class=\"wp-image-2441\" srcset=\"https:\/\/blogs.qsc.com\/app\/uploads\/sites\/3\/2020\/07\/2.-QSC-Blog-Fig-2_CP12_Rearview.jpg 736w, https:\/\/blogs.qsc.com\/app\/uploads\/sites\/3\/2020\/07\/2.-QSC-Blog-Fig-2_CP12_Rearview-300x89.jpg 300w, https:\/\/blogs.qsc.com\/app\/uploads\/sites\/3\/2020\/07\/2.-QSC-Blog-Fig-2_CP12_Rearview-250x74.jpg 250w, https:\/\/blogs.qsc.com\/app\/uploads\/sites\/3\/2020\/07\/2.-QSC-Blog-Fig-2_CP12_Rearview-550x163.jpg 550w, https:\/\/blogs.qsc.com\/app\/uploads\/sites\/3\/2020\/07\/2.-QSC-Blog-Fig-2_CP12_Rearview-608x180.jpg 608w\" sizes=\"(max-width: 736px) 100vw, 736px\" \/><figcaption>Figure 2. \u2013 CP Series Compact Powered Loudspeakers feature six DSP Presets including a Floor Monitor contour.<\/figcaption><\/figure><\/div>\n\n\n\n<p>Looking at the three <a href=\"https:\/\/www.qsc.com\/live-sound\/products\/loudspeakers\/powered-loudspeakers\/qsc-k2-seriestm-new\/\">QSC K.2 Series<\/a> models and their eleven different Presets, you will notice that they feature two different Stage Monitor Presets.<\/p>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter size-large\"><img decoding=\"async\" width=\"1024\" height=\"325\" src=\"https:\/\/blogs.qsc.com\/app\/uploads\/sites\/3\/2020\/07\/3.-QSC-Blog_Fig-3_K.2-Series-Presets-1024x325.png\" alt=\"\" class=\"wp-image-2436\" srcset=\"https:\/\/blogs.qsc.com\/app\/uploads\/sites\/3\/2020\/07\/3.-QSC-Blog_Fig-3_K.2-Series-Presets-1024x325.png 1024w, https:\/\/blogs.qsc.com\/app\/uploads\/sites\/3\/2020\/07\/3.-QSC-Blog_Fig-3_K.2-Series-Presets-300x95.png 300w, https:\/\/blogs.qsc.com\/app\/uploads\/sites\/3\/2020\/07\/3.-QSC-Blog_Fig-3_K.2-Series-Presets-768x244.png 768w, https:\/\/blogs.qsc.com\/app\/uploads\/sites\/3\/2020\/07\/3.-QSC-Blog_Fig-3_K.2-Series-Presets-250x79.png 250w, https:\/\/blogs.qsc.com\/app\/uploads\/sites\/3\/2020\/07\/3.-QSC-Blog_Fig-3_K.2-Series-Presets-550x175.png 550w, https:\/\/blogs.qsc.com\/app\/uploads\/sites\/3\/2020\/07\/3.-QSC-Blog_Fig-3_K.2-Series-Presets-800x254.png 800w, https:\/\/blogs.qsc.com\/app\/uploads\/sites\/3\/2020\/07\/3.-QSC-Blog_Fig-3_K.2-Series-Presets-567x180.png 567w, https:\/\/blogs.qsc.com\/app\/uploads\/sites\/3\/2020\/07\/3.-QSC-Blog_Fig-3_K.2-Series-Presets-945x300.png 945w, https:\/\/blogs.qsc.com\/app\/uploads\/sites\/3\/2020\/07\/3.-QSC-Blog_Fig-3_K.2-Series-Presets.png 1481w\" sizes=\"(max-width: 1024px) 100vw, 1024px\" \/><figcaption>Figure 3. \u2013 QSC K.2 Series Active Loudspeakers feature eleven DSP Presets including two different Stage Monitor contours.<\/figcaption><\/figure><\/div>\n\n\n\n<p>While the <strong>Stage Monitor 1<\/strong> Preset should be used, evidently, to reduce excessive bass build-up on stage, it is particularly tailored for vocals, acoustic instruments, hand percussions, etc, as it provides efficient bass attenuation.<\/p>\n\n\n\n<p>On the other hand, the <strong>Stage Monitor 2<\/strong> Preset provides less bass attenuation and, therefore, should be selected when tight, low frequency reproduction is needed, such as with keyboards, drums, bass guitars and any other instruments or sources that reproduce a wide low frequency spectrum.<\/p>\n\n\n\n<p>So, next time you are on stage with QSC active loudspeakers setup as stage monitors, do not forget to select the useful Floor Monitor Preset!<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Sound Radiation from the Floor Let\u2019s start by recalling some fundamentals in the physics of sound. First, we should remember what \u2018radiation space\u2019 means: it is the volume into which a loudspeaker is radiating sound. Now, at low frequency (typically below 200 Hz), where the sound radiation is omnidirectional, the sound level increases when hard &hellip; <a href=\"https:\/\/blogs.qsc.com\/live-sound\/why-and-how-to-correctly-use-floor-monitor-presets\/\">Read More<\/a><\/p>\n","protected":false},"author":29,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[7,83,18,79,14,63,25,65,19],"tags":[109,117,116,113,114,160,107,70,118,119,66,120,112,115],"class_list":["post-2433","post","type-post","status-publish","format-standard","hentry","category-av-rental-presentation","category-cp-series","category-djs-dance","category-educational","category-events","category-house-of-worship","category-k-family","category-k-2-series","category-musicians-bands","tag-cp-series","tag-cp12","tag-cp8","tag-english","tag-floor-monitor","tag-french","tag-german","tag-k-2-series","tag-k10-2","tag-k12-2","tag-k8-2","tag-presets","tag-spanish","tag-stage-monitor"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v24.9 - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>Why and How to correctly use Floor Monitor Presets - Blog | Resources<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/blogs.qsc.com\/live-sound\/why-and-how-to-correctly-use-floor-monitor-presets\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Why and How to correctly use Floor Monitor Presets - Blog | Resources\" \/>\n<meta property=\"og:description\" content=\"Sound Radiation from the Floor Let\u2019s start by recalling some fundamentals in the physics of sound. First, we should remember what \u2018radiation space\u2019 means: it is the volume into which a loudspeaker is radiating sound. Now, at low frequency (typically below 200 Hz), where the sound radiation is omnidirectional, the sound level increases when hard &hellip; Read More\" \/>\n<meta property=\"og:url\" content=\"https:\/\/blogs.qsc.com\/live-sound\/why-and-how-to-correctly-use-floor-monitor-presets\/\" \/>\n<meta property=\"og:site_name\" content=\"Blog | Resources\" \/>\n<meta property=\"article:published_time\" content=\"2020-07-22T04:47:08+00:00\" \/>\n<meta property=\"article:modified_time\" content=\"2020-10-29T10:53:16+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/blogs.qsc.com\/app\/uploads\/sites\/3\/2020\/07\/1.-QSC-Blog_Fig-1_Radiation-space-for-Floor-Monitor-1.png\" \/>\n<meta name=\"author\" content=\"Christophe Anet\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:label1\" content=\"Written by\" \/>\n\t<meta name=\"twitter:data1\" content=\"Christophe Anet\" \/>\n\t<meta name=\"twitter:label2\" content=\"Est. reading time\" \/>\n\t<meta name=\"twitter:data2\" content=\"2 minutes\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\/\/schema.org\",\"@graph\":[{\"@type\":\"WebPage\",\"@id\":\"https:\/\/blogs.qsc.com\/live-sound\/why-and-how-to-correctly-use-floor-monitor-presets\/\",\"url\":\"https:\/\/blogs.qsc.com\/live-sound\/why-and-how-to-correctly-use-floor-monitor-presets\/\",\"name\":\"Why and How to correctly use Floor Monitor Presets - Blog | Resources\",\"isPartOf\":{\"@id\":\"https:\/\/blogs.qsc.com\/live-sound\/#website\"},\"primaryImageOfPage\":{\"@id\":\"https:\/\/blogs.qsc.com\/live-sound\/why-and-how-to-correctly-use-floor-monitor-presets\/#primaryimage\"},\"image\":{\"@id\":\"https:\/\/blogs.qsc.com\/live-sound\/why-and-how-to-correctly-use-floor-monitor-presets\/#primaryimage\"},\"thumbnailUrl\":\"https:\/\/blogs.qsc.com\/app\/uploads\/sites\/3\/2020\/07\/1.-QSC-Blog_Fig-1_Radiation-space-for-Floor-Monitor-1.png\",\"datePublished\":\"2020-07-22T04:47:08+00:00\",\"dateModified\":\"2020-10-29T10:53:16+00:00\",\"author\":{\"@id\":\"https:\/\/blogs.qsc.com\/live-sound\/#\/schema\/person\/a8866d0b07d2d57a44a4940d6e2dc4a0\"},\"breadcrumb\":{\"@id\":\"https:\/\/blogs.qsc.com\/live-sound\/why-and-how-to-correctly-use-floor-monitor-presets\/#breadcrumb\"},\"inLanguage\":\"en-US\",\"potentialAction\":[{\"@type\":\"ReadAction\",\"target\":[\"https:\/\/blogs.qsc.com\/live-sound\/why-and-how-to-correctly-use-floor-monitor-presets\/\"]}]},{\"@type\":\"ImageObject\",\"inLanguage\":\"en-US\",\"@id\":\"https:\/\/blogs.qsc.com\/live-sound\/why-and-how-to-correctly-use-floor-monitor-presets\/#primaryimage\",\"url\":\"https:\/\/blogs.qsc.com\/app\/uploads\/sites\/3\/2020\/07\/1.-QSC-Blog_Fig-1_Radiation-space-for-Floor-Monitor-1.png\",\"contentUrl\":\"https:\/\/blogs.qsc.com\/app\/uploads\/sites\/3\/2020\/07\/1.-QSC-Blog_Fig-1_Radiation-space-for-Floor-Monitor-1.png\"},{\"@type\":\"BreadcrumbList\",\"@id\":\"https:\/\/blogs.qsc.com\/live-sound\/why-and-how-to-correctly-use-floor-monitor-presets\/#breadcrumb\",\"itemListElement\":[{\"@type\":\"ListItem\",\"position\":1,\"name\":\"Home\",\"item\":\"https:\/\/blogs.qsc.com\/live-sound\/\"},{\"@type\":\"ListItem\",\"position\":2,\"name\":\"Why and How to correctly use Floor Monitor Presets\"}]},{\"@type\":\"WebSite\",\"@id\":\"https:\/\/blogs.qsc.com\/live-sound\/#website\",\"url\":\"https:\/\/blogs.qsc.com\/live-sound\/\",\"name\":\"Blog | Resources\",\"description\":\"QSC\",\"potentialAction\":[{\"@type\":\"SearchAction\",\"target\":{\"@type\":\"EntryPoint\",\"urlTemplate\":\"https:\/\/blogs.qsc.com\/live-sound\/?s={search_term_string}\"},\"query-input\":{\"@type\":\"PropertyValueSpecification\",\"valueRequired\":true,\"valueName\":\"search_term_string\"}}],\"inLanguage\":\"en-US\"},{\"@type\":\"Person\",\"@id\":\"https:\/\/blogs.qsc.com\/live-sound\/#\/schema\/person\/a8866d0b07d2d57a44a4940d6e2dc4a0\",\"name\":\"Christophe Anet\",\"image\":{\"@type\":\"ImageObject\",\"inLanguage\":\"en-US\",\"@id\":\"https:\/\/blogs.qsc.com\/live-sound\/#\/schema\/person\/image\/\",\"url\":\"https:\/\/secure.gravatar.com\/avatar\/c8477b4735e81f241edc3cc5da4d26cba5c0f45cabc80bb23e9ab99ff47335da?s=96&d=mm&r=g\",\"contentUrl\":\"https:\/\/secure.gravatar.com\/avatar\/c8477b4735e81f241edc3cc5da4d26cba5c0f45cabc80bb23e9ab99ff47335da?s=96&d=mm&r=g\",\"caption\":\"Christophe Anet\"},\"description\":\"Christophe Anet is an electroacoustics engineer and live sound professional. Over the years, his passion for acoustics led him to design recording studios, lecture about psycho-acoustics and calibrate recording studio control rooms around the world. When not playing guitar, you can find him either rock climbing in the Swiss Alps or painting landscape watercolors in the wilderness.\",\"url\":\"https:\/\/blogs.qsc.com\/live-sound\/author\/canet\/\"}]}<\/script>\n<!-- \/ Yoast SEO plugin. -->","yoast_head_json":{"title":"Why and How to correctly use Floor Monitor Presets - Blog | Resources","robots":{"index":"index","follow":"follow","max-snippet":"max-snippet:-1","max-image-preview":"max-image-preview:large","max-video-preview":"max-video-preview:-1"},"canonical":"https:\/\/blogs.qsc.com\/live-sound\/why-and-how-to-correctly-use-floor-monitor-presets\/","og_locale":"en_US","og_type":"article","og_title":"Why and How to correctly use Floor Monitor Presets - Blog | Resources","og_description":"Sound Radiation from the Floor Let\u2019s start by recalling some fundamentals in the physics of sound. First, we should remember what \u2018radiation space\u2019 means: it is the volume into which a loudspeaker is radiating sound. Now, at low frequency (typically below 200 Hz), where the sound radiation is omnidirectional, the sound level increases when hard &hellip; Read More","og_url":"https:\/\/blogs.qsc.com\/live-sound\/why-and-how-to-correctly-use-floor-monitor-presets\/","og_site_name":"Blog | Resources","article_published_time":"2020-07-22T04:47:08+00:00","article_modified_time":"2020-10-29T10:53:16+00:00","og_image":[{"url":"https:\/\/blogs.qsc.com\/app\/uploads\/sites\/3\/2020\/07\/1.-QSC-Blog_Fig-1_Radiation-space-for-Floor-Monitor-1.png","type":"","width":"","height":""}],"author":"Christophe Anet","twitter_card":"summary_large_image","twitter_misc":{"Written by":"Christophe Anet","Est. reading time":"2 minutes"},"schema":{"@context":"https:\/\/schema.org","@graph":[{"@type":"WebPage","@id":"https:\/\/blogs.qsc.com\/live-sound\/why-and-how-to-correctly-use-floor-monitor-presets\/","url":"https:\/\/blogs.qsc.com\/live-sound\/why-and-how-to-correctly-use-floor-monitor-presets\/","name":"Why and How to correctly use Floor Monitor Presets - Blog | Resources","isPartOf":{"@id":"https:\/\/blogs.qsc.com\/live-sound\/#website"},"primaryImageOfPage":{"@id":"https:\/\/blogs.qsc.com\/live-sound\/why-and-how-to-correctly-use-floor-monitor-presets\/#primaryimage"},"image":{"@id":"https:\/\/blogs.qsc.com\/live-sound\/why-and-how-to-correctly-use-floor-monitor-presets\/#primaryimage"},"thumbnailUrl":"https:\/\/blogs.qsc.com\/app\/uploads\/sites\/3\/2020\/07\/1.-QSC-Blog_Fig-1_Radiation-space-for-Floor-Monitor-1.png","datePublished":"2020-07-22T04:47:08+00:00","dateModified":"2020-10-29T10:53:16+00:00","author":{"@id":"https:\/\/blogs.qsc.com\/live-sound\/#\/schema\/person\/a8866d0b07d2d57a44a4940d6e2dc4a0"},"breadcrumb":{"@id":"https:\/\/blogs.qsc.com\/live-sound\/why-and-how-to-correctly-use-floor-monitor-presets\/#breadcrumb"},"inLanguage":"en-US","potentialAction":[{"@type":"ReadAction","target":["https:\/\/blogs.qsc.com\/live-sound\/why-and-how-to-correctly-use-floor-monitor-presets\/"]}]},{"@type":"ImageObject","inLanguage":"en-US","@id":"https:\/\/blogs.qsc.com\/live-sound\/why-and-how-to-correctly-use-floor-monitor-presets\/#primaryimage","url":"https:\/\/blogs.qsc.com\/app\/uploads\/sites\/3\/2020\/07\/1.-QSC-Blog_Fig-1_Radiation-space-for-Floor-Monitor-1.png","contentUrl":"https:\/\/blogs.qsc.com\/app\/uploads\/sites\/3\/2020\/07\/1.-QSC-Blog_Fig-1_Radiation-space-for-Floor-Monitor-1.png"},{"@type":"BreadcrumbList","@id":"https:\/\/blogs.qsc.com\/live-sound\/why-and-how-to-correctly-use-floor-monitor-presets\/#breadcrumb","itemListElement":[{"@type":"ListItem","position":1,"name":"Home","item":"https:\/\/blogs.qsc.com\/live-sound\/"},{"@type":"ListItem","position":2,"name":"Why and How to correctly use Floor Monitor Presets"}]},{"@type":"WebSite","@id":"https:\/\/blogs.qsc.com\/live-sound\/#website","url":"https:\/\/blogs.qsc.com\/live-sound\/","name":"Blog | Resources","description":"QSC","potentialAction":[{"@type":"SearchAction","target":{"@type":"EntryPoint","urlTemplate":"https:\/\/blogs.qsc.com\/live-sound\/?s={search_term_string}"},"query-input":{"@type":"PropertyValueSpecification","valueRequired":true,"valueName":"search_term_string"}}],"inLanguage":"en-US"},{"@type":"Person","@id":"https:\/\/blogs.qsc.com\/live-sound\/#\/schema\/person\/a8866d0b07d2d57a44a4940d6e2dc4a0","name":"Christophe Anet","image":{"@type":"ImageObject","inLanguage":"en-US","@id":"https:\/\/blogs.qsc.com\/live-sound\/#\/schema\/person\/image\/","url":"https:\/\/secure.gravatar.com\/avatar\/c8477b4735e81f241edc3cc5da4d26cba5c0f45cabc80bb23e9ab99ff47335da?s=96&d=mm&r=g","contentUrl":"https:\/\/secure.gravatar.com\/avatar\/c8477b4735e81f241edc3cc5da4d26cba5c0f45cabc80bb23e9ab99ff47335da?s=96&d=mm&r=g","caption":"Christophe Anet"},"description":"Christophe Anet is an electroacoustics engineer and live sound professional. Over the years, his passion for acoustics led him to design recording studios, lecture about psycho-acoustics and calibrate recording studio control rooms around the world. When not playing guitar, you can find him either rock climbing in the Swiss Alps or painting landscape watercolors in the wilderness.","url":"https:\/\/blogs.qsc.com\/live-sound\/author\/canet\/"}]}},"_links":{"self":[{"href":"https:\/\/blogs.qsc.com\/live-sound\/wp-json\/wp\/v2\/posts\/2433","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/blogs.qsc.com\/live-sound\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/blogs.qsc.com\/live-sound\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/blogs.qsc.com\/live-sound\/wp-json\/wp\/v2\/users\/29"}],"replies":[{"embeddable":true,"href":"https:\/\/blogs.qsc.com\/live-sound\/wp-json\/wp\/v2\/comments?post=2433"}],"version-history":[{"count":0,"href":"https:\/\/blogs.qsc.com\/live-sound\/wp-json\/wp\/v2\/posts\/2433\/revisions"}],"wp:attachment":[{"href":"https:\/\/blogs.qsc.com\/live-sound\/wp-json\/wp\/v2\/media?parent=2433"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/blogs.qsc.com\/live-sound\/wp-json\/wp\/v2\/categories?post=2433"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/blogs.qsc.com\/live-sound\/wp-json\/wp\/v2\/tags?post=2433"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}