{"id":2579,"date":"2021-10-26T12:57:11","date_gmt":"2021-10-26T19:57:11","guid":{"rendered":"https:\/\/blogs.qsc.com\/systems\/2021\/10\/26\/seven-cins-of-cinema\/"},"modified":"2022-07-13T06:18:44","modified_gmt":"2022-07-13T13:18:44","slug":"seven-cins-of-cinema","status":"publish","type":"post","link":"https:\/\/blogs.qsc.com\/systems\/de\/2021\/10\/26\/die-7-suenden-des-kinos\/","title":{"rendered":"Die 7 \u201cS\u00fcnden\u201d des Kinos"},"content":{"rendered":"<div class=\"trp_language_switcher_shortcode\">\n<div class=\"trp-language-switcher trp-language-switcher-container\" data-no-translation>\n    <div class=\"trp-ls-shortcode-current-language\">\n        <a href=\"#\" class=\"trp-ls-shortcode-disabled-language trp-ls-disabled-language\" title=\"Deutsch\" onclick=\"event.preventDefault()\">\n\t\t\t Deutsch\t\t<\/a>\n    <\/div>\n    <div class=\"trp-ls-shortcode-language\">\n                <a href=\"#\" class=\"trp-ls-shortcode-disabled-language trp-ls-disabled-language\"  title=\"Deutsch\" onclick=\"event.preventDefault()\">\n\t\t\t Deutsch\t\t<\/a>\n                    <a href=\"https:\/\/blogs.qsc.com\/systems\/de\/wp-json\/wp\/v2\/posts\/2579\" title=\"English\">\n             English        <\/a>\n\n            <a href=\"https:\/\/blogs.qsc.com\/systems\/de\/wp-json\/wp\/v2\/posts\/2579\" title=\"Fran\u00e7ais\">\n             Fran\u00e7ais        <\/a>\n\n            <a href=\"https:\/\/blogs.qsc.com\/systems\/de\/wp-json\/wp\/v2\/posts\/2579\" title=\"Espa\u00f1ol\">\n             Espa\u00f1ol        <\/a>\n\n            <a href=\"https:\/\/blogs.qsc.com\/systems\/de\/wp-json\/wp\/v2\/posts\/2579\" title=\"English (UK)\">\n             English (UK)        <\/a>\n\n        <\/div>\n    <script type=\"application\/javascript\">\n        \/\/ need to have the same with set from JS on both divs. Otherwise it can push stuff around in HTML\n        var trp_ls_shortcodes = document.querySelectorAll('.trp_language_switcher_shortcode .trp-language-switcher');\n        if ( trp_ls_shortcodes.length > 0) {\n            \/\/ get the last language switcher added\n            var trp_el = trp_ls_shortcodes[trp_ls_shortcodes.length - 1];\n\n            var trp_shortcode_language_item = trp_el.querySelector( '.trp-ls-shortcode-language' )\n            \/\/ set width\n            var trp_ls_shortcode_width                                               = trp_shortcode_language_item.offsetWidth + 16;\n            trp_shortcode_language_item.style.width                                  = trp_ls_shortcode_width + 'px';\n            trp_el.querySelector( '.trp-ls-shortcode-current-language' ).style.width = trp_ls_shortcode_width + 'px';\n\n            \/\/ We're putting this on display: none after we have its width.\n            trp_shortcode_language_item.style.display = 'none';\n        }\n    <\/script>\n<\/div>\n<\/div>\n<p>Aus Fehlern lernt man manchmal einfach am besten.\nDie Ausbildung professioneller Mitarbeiter f\u00fcr die Planung von Kinos, einschlie\u00dflich der Sound- und Projektionssysteme, kostet viel Zeit und Energie. Dabei k\u00f6nnen wir in vielen F\u00e4llen aus unseren Fehlern aufschlussreiche Erkenntnisse ziehen.<\/p>\n\n\n\n<p>In den 30 Jahren, in denen ich nun schon in der Kinobranche bin, habe ich enorm viel von THX, Dolby sowie von Hollywood-Post-Producern und den gro\u00dfartigen Tontechnikern gelernt, mit denen ich arbeiten durfte.&nbsp;&nbsp;<\/p>\n\n\n\n<p>Eine meiner Aufgaben ist es, dieses Wissen in die Praxis umzusetzen, um den Transfer eines Films von der nahezu perfekten Umgebung der Dub-Stage in die etwas weniger perfekte, reale Welt des Kinosaals zu optimieren und letztlich die Qualit\u00e4t des Kinoerlebnisses f\u00fcr die Besucher zu intensivieren.<\/p>\n\n\n\n<p>Das heutige Kino liefert eine deutlich bessere Klang- und Bildqualit\u00e4t als zu Beginn meiner Laufbahn. Es gibt aber auch leider viele kleine \u201eStolperfallen\u201c, die zu einem Erlebnis f\u00fchren k\u00f6nnen, das unter der Norm liegt.<\/p>\n\n\n\n<p>Ich kann die Gr\u00fcnde ja nachvollziehen: Immobilien und die Ausstattung eines Kinos sind kostspielig und eine Modernisierung ist sogar mit noch h\u00f6heren Kosten verbunden. Mit neuen Best Practices Schritt zu halten, verbietet sich oft aufgrund der Kosten und ist manchmal schwer zu begr\u00fcnden, vor allem, wenn der Saal nicht prim\u00e4r zum Gewinn beitr\u00e4gt (wie z.B. sagen wir mal, die Snack-Theke).<\/p>\n\n\n\n<h3 class=\"wp-block-heading\">Versuchen Sie, diese \"S\u00fcnden\" zu vermeiden<\/h3>\n\n\n\n<p>Trotz allem ist es immer noch der Film, wegen dem die Zuschauer ins Kino kommen. Und wenn das Erlebnis nicht ganz so gelungen ist, kommen sie wom\u00f6glich nicht wieder. Im Namen besserer Kinoerlebnisse kommen daher hier meine sieben \u201eS\u00fcnden\u201c bei der Planung von Kinos:<\/p>\n\n\n\n<br>\n\n\n\n<ol class=\"wp-block-list\" type=\"1\"><li>Die H\u00f6henausrichtung des Projektor-Fensters liegt \u00fcber dem oberen Leinwandrand.  Dies kann zu einer perspektivischen Bildverzerrung und anderen Problemen f\u00fchren.<\/li><li>Ein hell leuchtendes Ausgang-Hinweisschild direkt neben der Leinwand. Das Schild kann leicht von dem Geschehen auf der Leinwand ablenken.<\/li><li>Harte, gestrichene Seitenw\u00e4nde und ein Betonboden direkt vor dem Bildschirm. Hierdurch entstehen Schallreflexionen, die die Sprachverst\u00e4ndlichkeit bei Dialogen negativ beeintr\u00e4chtigen.<\/li><li>Der Mittelgang. Die besten Pl\u00e4tze werden ausgelassen, sodass niemand eine optimale Links\/Rechts-Stereoabbildung h\u00f6rt. <br>(4a. Mittelg\u00e4nge f\u00fchren oft dazu, dass die Sitzpl\u00e4tze komplett bis an die W\u00e4nde reichen.  Sitze, die sich direkt unter den seitlichen Surround-Wandlautsprechern befinden, liegen komplett au\u00dferhalb des klanglich erw\u00fcnschten Abstrahlverhaltens.  Seiteng\u00e4nge sind besser!)<\/li><li>Eine direkte Eingangst\u00fcr auf der R\u00fcckseite des Raums ohne Foyer erlaubt das Eindringen von Licht und Ger\u00e4uschen aus der Halle. Dies kann st\u00f6rend wirken, z.B. wenn Nachz\u00fcgler den Kinosaal betreten.<\/li><li>Durchdringender Schall angrenzender Kinos. Auch dies kann st\u00f6rend (und nervig) sein, vor allem in Filmszenen mit leisen Dialogen.&nbsp;<\/li><li>Veraltete Tonanlagen und PA. Sollten diese \u00e4lter als 15 bis 20 Jahre sein, liefern sie m\u00f6glicherweise nicht die Dynamik heutiger digitaler Soundtracks.  Selbst, wenn die Anlagen nicht defekt sind, sollte eine Erneuerung in Betracht gezogen werden.<\/li><\/ol>\n\n\n\n<br>\n\n\n\n<p>Diese Situation gibt es weitaus \u00f6fter, als man denkt. Ob Sie es glauben oder nicht, aber ich war erst vor kurzem in einem Kino, bei dem ALLE sieben \u201cS\u00fcnden\u201d im gleichen Saal vorlagen.  Und ganz ehrlich, es gibt deutlich mehr als sieben...<\/p>\n\n\n\n<h3 class=\"wp-block-heading\">Was k\u00f6nnen wir also machen?<\/h3>\n\n\n\n<ul class=\"wp-block-list\"><li><em>Als Kinoplaner:<\/em>&nbsp; Aufpassen und diese S\u00fcnden in zuk\u00fcnftigen Projekten vermeiden.&nbsp;<\/li><li><em>Als Kinog\u00e4nger: <\/em>&nbsp;Beim n\u00e4chsten Kinobesuch z\u00e4hlen, wie viele der S\u00fcnden auszumachen sind, und, falls Sie mutig genug sind, diese der Kinoleitung melden.<\/li><li><em>Als Kinobetreiber:<\/em> Ihre \u201cS\u00fcnden\u201d bekennen und bereuen. Die Probleme dann beheben, um so Ihre Kunden gl\u00fccklich und loyal zu halten.&nbsp;<\/li><\/ul>\n\n\n\n<br>\n\n\n\n<p>QSC verf\u00fcgt \u00fcber ein ganzes Team von engagierten und erfahrenen Kinoprofis, die Ihnen helfen k\u00f6nnen! Ferner bieten wir eine ganze Reihe von Materialien an, darunter <a href=\"https:\/\/www.qsys.com\/resources\/resource-libraries\/on-demand-webinars\/\">aufgezeichnete Webinare<\/a>, <a href=\"https:\/\/training.qsc.com\/?_ga=2.140269811.1332767366.1634573478-1055625831.1634573478\">Online-Schulungen und virtuelles Training<\/a>\u00a0und selbstverst\u00e4ndlich <a href=\"https:\/\/blogs.qsc.com\/systems\/de\/cinema\/?_ga=2.140269811.1332767366.1634573478-1055625831.1634573478\">diese Blog-Seite<\/a>.<br><br>Also: bis bald im Kino!<\/p>","protected":false},"excerpt":{"rendered":"<p>Aus Fehlern lernt man manchmal einfach am besten.\nDie Ausbildung professioneller Mitarbeiter f\u00fcr die Planung von Kinos, einschlie\u00dflich der Sound- und Projektionssysteme, kostet viel Zeit und Energie. Dabei k\u00f6nnen wir in vielen F\u00e4llen aus unseren Fehlern aufschlussreiche Erkenntnisse ziehen.\nIn den 30 Jahren, in denen ich nun schon in der Kinobranche bin, habe ich enorm viel von THX, Dolby sowie von Hollywood-Post-Producern und den gro\u00dfartigen Tontechnikern gelernt, mit denen ich arbeiten durfte. <a href=\"https:\/\/blogs.qsc.com\/systems\/de\/2021\/10\/26\/die-7-suenden-des-kinos\/\">Read More<\/a><\/p>","protected":false},"author":30,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[1],"tags":[28],"class_list":["post-2579","post","type-post","status-publish","format-standard","hentry","category-uncategorized","tag-german"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v24.9 - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>Seven &quot;Cins&quot; of Cinema - Q-SYS<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/blogs.qsc.com\/systems\/de\/2021\/10\/26\/seven-cins-of-cinema\/\" \/>\n<meta property=\"og:locale\" content=\"de_DE\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Seven &quot;Cins&quot; of Cinema - Q-SYS\" \/>\n<meta property=\"og:description\" content=\"So much time and energy is spent educating cinema professionals how to properly design cinemas, including installed sound and projection systems. We forget the best lessons typically come from our mistakes. In the 30+ years I\u2019ve been in the cinema industry, I\u2019ve learned a ton from THX, Dolby, the Hollywood post-production community, and the&nbsp;brilliant engineers &hellip; Read More\" \/>\n<meta property=\"og:url\" content=\"https:\/\/blogs.qsc.com\/systems\/de\/2021\/10\/26\/seven-cins-of-cinema\/\" \/>\n<meta property=\"og:site_name\" content=\"Q-SYS\" \/>\n<meta property=\"article:published_time\" content=\"2021-10-26T19:57:11+00:00\" \/>\n<meta property=\"article:modified_time\" content=\"2022-07-13T13:18:44+00:00\" \/>\n<meta name=\"author\" content=\"Mark Mayfield\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:label1\" content=\"Written by\" \/>\n\t<meta name=\"twitter:data1\" content=\"Mark Mayfield\" \/>\n\t<meta name=\"twitter:label2\" content=\"Est. reading time\" \/>\n\t<meta name=\"twitter:data2\" content=\"3 minutes\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\/\/schema.org\",\"@graph\":[{\"@type\":\"WebPage\",\"@id\":\"https:\/\/blogs.qsc.com\/systems\/in\/2021\/10\/26\/seven-cins-of-cinema\/\",\"url\":\"https:\/\/blogs.qsc.com\/systems\/in\/2021\/10\/26\/seven-cins-of-cinema\/\",\"name\":\"Seven \\\"Cins\\\" of Cinema - Q-SYS\",\"isPartOf\":{\"@id\":\"https:\/\/blogs.qsc.com\/systems\/#website\"},\"datePublished\":\"2021-10-26T19:57:11+00:00\",\"dateModified\":\"2022-07-13T13:18:44+00:00\",\"author\":{\"@id\":\"https:\/\/blogs.qsc.com\/systems\/#\/schema\/person\/1a5151cfb1cd3413215688da1824a4ef\"},\"breadcrumb\":{\"@id\":\"https:\/\/blogs.qsc.com\/systems\/in\/2021\/10\/26\/seven-cins-of-cinema\/#breadcrumb\"},\"inLanguage\":\"de-DE\",\"potentialAction\":[{\"@type\":\"ReadAction\",\"target\":[\"https:\/\/blogs.qsc.com\/systems\/in\/2021\/10\/26\/seven-cins-of-cinema\/\"]}]},{\"@type\":\"BreadcrumbList\",\"@id\":\"https:\/\/blogs.qsc.com\/systems\/in\/2021\/10\/26\/seven-cins-of-cinema\/#breadcrumb\",\"itemListElement\":[{\"@type\":\"ListItem\",\"position\":1,\"name\":\"Home\",\"item\":\"https:\/\/blogs.qsc.com\/systems\/\"},{\"@type\":\"ListItem\",\"position\":2,\"name\":\"Seven &#8220;Cins&#8221; of Cinema\"}]},{\"@type\":\"WebSite\",\"@id\":\"https:\/\/blogs.qsc.com\/systems\/#website\",\"url\":\"https:\/\/blogs.qsc.com\/systems\/\",\"name\":\"Q-SYS\",\"description\":\"System Blog\",\"potentialAction\":[{\"@type\":\"SearchAction\",\"target\":{\"@type\":\"EntryPoint\",\"urlTemplate\":\"https:\/\/blogs.qsc.com\/systems\/?s={search_term_string}\"},\"query-input\":{\"@type\":\"PropertyValueSpecification\",\"valueRequired\":true,\"valueName\":\"search_term_string\"}}],\"inLanguage\":\"de-DE\"},{\"@type\":\"Person\",\"@id\":\"https:\/\/blogs.qsc.com\/systems\/#\/schema\/person\/1a5151cfb1cd3413215688da1824a4ef\",\"name\":\"Mark Mayfield\",\"image\":{\"@type\":\"ImageObject\",\"inLanguage\":\"de-DE\",\"@id\":\"https:\/\/blogs.qsc.com\/systems\/#\/schema\/person\/image\/\",\"url\":\"https:\/\/secure.gravatar.com\/avatar\/fb5b28d9f3ec4ace25db8f608a1169e89f1aa941d97ff9e63710f435cf4c7179?s=96&d=mm&r=g\",\"contentUrl\":\"https:\/\/secure.gravatar.com\/avatar\/fb5b28d9f3ec4ace25db8f608a1169e89f1aa941d97ff9e63710f435cf4c7179?s=96&d=mm&r=g\",\"caption\":\"Mark Mayfield\"},\"description\":\"Mark began his audio career in 1979 as a recording engineer working in studios in several major cities. His role expanded to include pro audio systems sales, design, and installation. His cinema experience includes market development and product marketing for several major audio systems manufacturers, including Bose, JBL Professional, and Eastern Acoustic Works, where he managed cinema sales and marketing. He\u2019s also spent 10 years as editor of several prominent pro AV technical trade publications. Mark is on the Board of Directors of the International Cinema Technology Association (ICTA), and has been adjunct faculty member and consultant to InfoComm International, and has provided marketing consulting services for many leading equipment manufacturers. Mark is currently responsible for all marketing programs for QSC Cinema, including advertising, sales support and training materials, trade shows, PR, and web. Mark has a B.S. degree in Psychology from St. Lawrence University and an MBA (concentration in Marketing) from Boston College.\",\"url\":\"https:\/\/blogs.qsc.com\/systems\/de\/author\/markmayfield\/\"}]}<\/script>\n<!-- \/ Yoast SEO plugin. -->","yoast_head_json":{"title":"Seven \"Cins\" of Cinema - Q-SYS","robots":{"index":"index","follow":"follow","max-snippet":"max-snippet:-1","max-image-preview":"max-image-preview:large","max-video-preview":"max-video-preview:-1"},"canonical":"https:\/\/blogs.qsc.com\/systems\/de\/2021\/10\/26\/seven-cins-of-cinema\/","og_locale":"de_DE","og_type":"article","og_title":"Seven \"Cins\" of Cinema - Q-SYS","og_description":"So much time and energy is spent educating cinema professionals how to properly design cinemas, including installed sound and projection systems. We forget the best lessons typically come from our mistakes. In the 30+ years I\u2019ve been in the cinema industry, I\u2019ve learned a ton from THX, Dolby, the Hollywood post-production community, and the&nbsp;brilliant engineers &hellip; Read More","og_url":"https:\/\/blogs.qsc.com\/systems\/de\/2021\/10\/26\/seven-cins-of-cinema\/","og_site_name":"Q-SYS","article_published_time":"2021-10-26T19:57:11+00:00","article_modified_time":"2022-07-13T13:18:44+00:00","author":"Mark Mayfield","twitter_card":"summary_large_image","twitter_misc":{"Written by":"Mark Mayfield","Est. reading time":"3 minutes"},"schema":{"@context":"https:\/\/schema.org","@graph":[{"@type":"WebPage","@id":"https:\/\/blogs.qsc.com\/systems\/in\/2021\/10\/26\/seven-cins-of-cinema\/","url":"https:\/\/blogs.qsc.com\/systems\/in\/2021\/10\/26\/seven-cins-of-cinema\/","name":"Seven \"Cins\" of Cinema - Q-SYS","isPartOf":{"@id":"https:\/\/blogs.qsc.com\/systems\/#website"},"datePublished":"2021-10-26T19:57:11+00:00","dateModified":"2022-07-13T13:18:44+00:00","author":{"@id":"https:\/\/blogs.qsc.com\/systems\/#\/schema\/person\/1a5151cfb1cd3413215688da1824a4ef"},"breadcrumb":{"@id":"https:\/\/blogs.qsc.com\/systems\/in\/2021\/10\/26\/seven-cins-of-cinema\/#breadcrumb"},"inLanguage":"de-DE","potentialAction":[{"@type":"ReadAction","target":["https:\/\/blogs.qsc.com\/systems\/in\/2021\/10\/26\/seven-cins-of-cinema\/"]}]},{"@type":"BreadcrumbList","@id":"https:\/\/blogs.qsc.com\/systems\/in\/2021\/10\/26\/seven-cins-of-cinema\/#breadcrumb","itemListElement":[{"@type":"ListItem","position":1,"name":"Home","item":"https:\/\/blogs.qsc.com\/systems\/"},{"@type":"ListItem","position":2,"name":"Seven &#8220;Cins&#8221; of Cinema"}]},{"@type":"WebSite","@id":"https:\/\/blogs.qsc.com\/systems\/#website","url":"https:\/\/blogs.qsc.com\/systems\/","name":"Q-SYS","description":"System Blog","potentialAction":[{"@type":"SearchAction","target":{"@type":"EntryPoint","urlTemplate":"https:\/\/blogs.qsc.com\/systems\/?s={search_term_string}"},"query-input":{"@type":"PropertyValueSpecification","valueRequired":true,"valueName":"search_term_string"}}],"inLanguage":"de-DE"},{"@type":"Person","@id":"https:\/\/blogs.qsc.com\/systems\/#\/schema\/person\/1a5151cfb1cd3413215688da1824a4ef","name":"Mark Mayfield","image":{"@type":"ImageObject","inLanguage":"de-DE","@id":"https:\/\/blogs.qsc.com\/systems\/#\/schema\/person\/image\/","url":"https:\/\/secure.gravatar.com\/avatar\/fb5b28d9f3ec4ace25db8f608a1169e89f1aa941d97ff9e63710f435cf4c7179?s=96&d=mm&r=g","contentUrl":"https:\/\/secure.gravatar.com\/avatar\/fb5b28d9f3ec4ace25db8f608a1169e89f1aa941d97ff9e63710f435cf4c7179?s=96&d=mm&r=g","caption":"Mark Mayfield"},"description":"Mark began his audio career in 1979 as a recording engineer working in studios in several major cities. His role expanded to include pro audio systems sales, design, and installation. His cinema experience includes market development and product marketing for several major audio systems manufacturers, including Bose, JBL Professional, and Eastern Acoustic Works, where he managed cinema sales and marketing. He\u2019s also spent 10 years as editor of several prominent pro AV technical trade publications. Mark is on the Board of Directors of the International Cinema Technology Association (ICTA), and has been adjunct faculty member and consultant to InfoComm International, and has provided marketing consulting services for many leading equipment manufacturers. Mark is currently responsible for all marketing programs for QSC Cinema, including advertising, sales support and training materials, trade shows, PR, and web. Mark has a B.S. degree in Psychology from St. Lawrence University and an MBA (concentration in Marketing) from Boston College.","url":"https:\/\/blogs.qsc.com\/systems\/de\/author\/markmayfield\/"}]}},"_links":{"self":[{"href":"https:\/\/blogs.qsc.com\/systems\/de\/wp-json\/wp\/v2\/posts\/2579","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/blogs.qsc.com\/systems\/de\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/blogs.qsc.com\/systems\/de\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/blogs.qsc.com\/systems\/de\/wp-json\/wp\/v2\/users\/30"}],"replies":[{"embeddable":true,"href":"https:\/\/blogs.qsc.com\/systems\/de\/wp-json\/wp\/v2\/comments?post=2579"}],"version-history":[{"count":0,"href":"https:\/\/blogs.qsc.com\/systems\/de\/wp-json\/wp\/v2\/posts\/2579\/revisions"}],"wp:attachment":[{"href":"https:\/\/blogs.qsc.com\/systems\/de\/wp-json\/wp\/v2\/media?parent=2579"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/blogs.qsc.com\/systems\/de\/wp-json\/wp\/v2\/categories?post=2579"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/blogs.qsc.com\/systems\/de\/wp-json\/wp\/v2\/tags?post=2579"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}