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<oembed><version>1.0</version><provider_name>Q-SYS</provider_name><provider_url>https://blogs.qsc.com/systems</provider_url><author_name>Barry Ferrell</author_name><author_url>https://blogs.qsc.com/systems/author/bfarrell/</author_url><title>Sensitivity Sensationalism - Q-SYS</title><type>rich</type><width>600</width><height>338</height><html>&lt;blockquote class="wp-embedded-content" data-secret="n2P2cYUvZj"&gt;&lt;a href="https://blogs.qsc.com/systems/2020/06/11/sensitivity-sensationalism/"&gt;Sensitivity Sensationalism&lt;/a&gt;&lt;/blockquote&gt;&lt;iframe sandbox="allow-scripts" security="restricted" src="https://blogs.qsc.com/systems/2020/06/11/sensitivity-sensationalism/embed/#?secret=n2P2cYUvZj" width="600" height="338" title="&#x201C;Sensitivity Sensationalism&#x201D; &#x2014; Q-SYS" data-secret="n2P2cYUvZj" frameborder="0" marginwidth="0" marginheight="0" scrolling="no" class="wp-embedded-content"&gt;&lt;/iframe&gt;&lt;script type="text/javascript"&gt;
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</html><description>Loudspeaker sensitivity and power ratings have become the primary specifications used to design sound systems in cinema. This practice and these specifications are accepted at face value and not often questioned. They make designing sound systems fairly easy and straightforward.&nbsp;However, they rely on many assumptions and some of them are simply not valid, at least &hellip; Read More</description><thumbnail_url>https://blogs.qsc.com/app/uploads/sites/5/2020/06/Frequency-Response.png</thumbnail_url></oembed>
