Author: Barry Ferrell

In this third and final installment of our look at small rooms, we’ll focus on Q-SYS and how it can be used for multi-room systems, especially “cinema on demand” rooms in commercial multiplex sites. As before, let’s look at room sizes of about 10m, or 33 ft. in length. We’ll also assume the use of … Weiterlesen

Loudspeaker sensitivity and power ratings have become the primary specifications used to design sound systems in cinema. This practice and these specifications are accepted at face value and not often questioned. They make designing sound systems fairly easy and straightforward. However, they rely on many assumptions and some of them are simply not valid, at least … Weiterlesen

In Part 1 of our discussion on small rooms, we focused on premium solutions using our Reference Monitor System. In Part 2, we will look at some systems using the economical DCS SC 1120 and SC 1150 screen channels and a variety of amplifier and processor options for small rooms, including private screening rooms, high-end … Weiterlesen

In addition to our larger audio solutions for mainstream multiplexes, QSC has several options for small rooms. These could be private screening rooms, high-end home cinemas, or even “cinema on demand” rooms in multiplex sites that are rented to small groups. While QSC can support all room sizes, let’s focus on rooms of less than … Weiterlesen

Discover the power and flexibility of the new DPA-Q amplifier series Q-SYS – our ecosystem for audio, video, and control – combined with our new DPA-Q amps, has become increasingly popular for powering immersive audio systems in Premium Large Format cinemas. In this post, we’ll show you how you can use our new 8-channel DPA-Q … Weiterlesen