Bryan Prusiensky is a musician, audio engineer, production manager, skateboarder, and business owner who grew up in Charlotte, NC. His passion for music began early as a musician, though he initially struggled to envision turning that interest into a career. While studying at Appalachian State University, Bryan earned a degree in Electronic Media & Broadcasting, … Weiterlesen
All four stages at second annual event at the Oceanside Civic Center in San Diego equipped with L Class and K Class loudspeakers under the direction of production manager Bryan Prusiensky. The recent second annual Sublime Life Sobriety Festival at the Oceanside Civic Center in San Diego, an event celebrating the legacy of the band … Weiterlesen
In the field of electroacoustics and sound radiation, there are two fundamental types of sound sources that each provide specific radiation patterns and sound characteristics, both of which may be desirable depending on the application. These are the point source and the line source (or column source). This article will review the basic acoustical principles … Weiterlesen
I have been deeply involved in the live audio engineering industry for many years. Growing up, I was my father’s right-hand helper, initially performing tasks similar to those of a roadie—rolling cables, setting up and tearing down the stage and PA system. However, beyond the technical work, I was a keen observer of everything my … Weiterlesen
Which is Best and Why? Ok, hopefully that question got your attention. However, when deciding between a lavalier (lav) (lapel) or headset (headworn) microphone the better question to ask is, “Which mic is best for the application?” If you were to ask me or most pro audio sales engineers on whether to choose a lavalier … Weiterlesen
When it comes to using in-ear monitors, there are two camps of thought; Those who like them and those who don’t. Either way, many musicians will be confronted with the prospect of having to use in-ear monitors (IEMs) at some point. For example, a venue that requires the volume threshold to be kept under a … Weiterlesen
Proper Use of Audio Mixers and Floor Monitors The main objective when dialing in stage monitors is to provide the best possible reference for each musician to help them to achieve their best performance. Adjusting them correctly for each artist is critical to the performance of the band as a whole. Whether you’re using floor … Weiterlesen
In this pandemic-induced era, numerous venues and churches have been compelled to embrace the realm of livestreaming. Whether you’re a newcomer to the world of livestreaming or seeking ways to enhance the audio quality of your broadcasts, this article will prove invaluable. The main production goal of a streaming broadcast mix is to recreate the … Weiterlesen
Every genre of music is associated with a certain dynamic range, meaning the difference between the loudest and softest passages. The word “dynamic” is defined as “a force that stimulates change or progress within a system of process”. It defines how versatile a piece of music or a piece of gear behaves (musical instrument, amplifier, … Weiterlesen
When mixing live audio, one of the biggest mistakes a sound operator can make is aimlessly applying EQ without intentionality due to of lack of understanding. In this article, I will walk you through a process to follow when using your EQ to manipulate these frequencies, so that you can create a musical, well-defined, clear … Weiterlesen