There’s a saying in our industry – “Flat frequency response on-axis is necessary, but not sufficient, to make a good sounding loudspeaker.”  OK, maybe you don’t hear this idea tossed around all the time, but it’s true nonetheless. This edition of the Consultant Courier will explore off-axis frequency response, directivity, and the various ways this … Lire la suite

The accelerating convergence of technology and marketing in today’s global marketplace means brands are no longer built through the pillars of traditional marketing, but through rich experiences. Through these experiences, we connect deep human and business insights with the possibilities of technology defining and delivering new realities. Experiences that make life healthier, safer, more productive, … Lire la suite

So much time and energy is spent educating cinema professionals how to properly design cinemas, including installed sound and projection systems. We forget the best lessons typically come from our mistakes. In the 30+ years I’ve been in the cinema industry, I’ve learned a ton from THX, Dolby, the Hollywood post-production community, and the brilliant engineers … Lire la suite

There’s always been pressure on higher education institutions to deliver quality experiences to their students, and this priority has recently extended to remote learners. After all, tuition paid comes with an expectation of results, no matter the location! To tackle this, some schools are thinking outside of the box – literally. Distance learners often view … Lire la suite

Like most audio equipment, power amplifiers have a lot of specs associated with them, all of which can help us understand the performance and reliability of an amplifier. No single specification ever tells the whole story, which is why it’s important to dig deeper to determine an amplifier’s “fit” for the job. Max Power Most … Lire la suite

Due to changing workforce trends such as an increasing hybrid workforce, there is a growing need to define and create meeting spaces by desired collaboration experience and business purpose, not just room size. Employees expect more automation, features, and functionality in all the physical and virtual spaces where they need to collaborate. They don’t just … Lire la suite

With many companies offering more flexibility in where their employees work, hybrid meetings, mixing in-room and remote attendees, are going to be the norm. Flexible hybrid meetings Employees have high expectations of what the hybrid workplace should look like. First and foremost, they want flexibility. They want to choose when they are working from home … Lire la suite

AV system designers encounter a number of challenges associated with integrating the controls of the software-based video collaboration software into the room’s AV control system. For starters, the desire is to enable as much control over the video call on the room’s touch screen controller so the user doesn’t need to keep relying on the … Lire la suite

One thing that sets cinema sound apart from almost all other types of professional audio is that the goal for cinema playback is to be heard as much like the original recording as possible. This is significant, and not trivial. Filmmakers quite literally want you to experience their work as they saw it and heard … Lire la suite

At the onset of the pandemic, courtrooms across the globe needed to quickly find solutions that would enable virtual court proceedings, focusing their search on software conferencing platforms that could deliver this result. With many counties beginning to open back up and allow for in-person interactions, many courtrooms will remain committed to using network AV … Lire la suite

Before sound is heard through the loudspeakers, a cinema sound system must accomplish three primary functions – all which are typically performed by one, two or three individual components.  A cinema processor takes digital content from the server and handles format selection, volume control, EQ, and typically outputs analog signals to drive amplifiers directly, or … Lire la suite